Music Legend Little Richard Dies At 87


Founding Rock ‘n’ Roll Hall of Fame member Little Richard died at age 87 on Saturday (May 9) in Middle Tennessee.

The legendary performer began and ended his career in the region, and several of his career highlights were tied to Music City. Born Richard Penniman, he rose to local fame in his native Macon, Georgia, in the early 1950s. After being jailed on a morals charge, he was exiled from Macon. The clubs of North Nashville soon became the flamboyant performer’s most profitable performing venues.

Little Richard was performing in a nightspot in Fayetteville, Tennessee, when he was summoned to New Orleans for his debut recording session for Specialty Records. Among the songs he recorded was “Tutti Frutti.” Nashville’s 50,000-watt broadcasting titan WLAC blasted the song and its performer to stardom in late 1955.

He continued to headline at the New Era Club, the Club Baron and other Nashville nightclubs as “Long Tall Sally,” “Slippin’ and Slidin,’” “Rip It Up” and “Ready Teddy” solidified his stardom in 1956.

By 1957, he was starring on national and international rock ‘n’ roll tours and appearing in such early rock films as The Girl Can’t Help It, Don’t Knock the Rock and Mister Rock ‘n’ Roll. The hits continued with such 1957-58 singles as “Lucille,” “Send Me Some Lovin,’” “The Girl Can’t Help It,” “Jenny, Jenny,” “Keep a Knockin,’” “Good Golly Miss Molly” and “Oooh My Soul.”

His charismatic showmanship included frenetic piano pounding, hoarsely shouted vocals, onstage prancing, flashy costuming, wild gyrations, bug-eyed facial contortions and ebullient outbursts. Little Richard pioneered male rock stars wearing mascara and heavy makeup, as well as exhibiting fluid sexuality. He was also notable as one of the early rockers who broke down barriers by attracting both black and white teen fans to his shows.

Nashville’s Pat Boone infamously toned down Little Richard’s outrageous personality for his bland cover of “Tutti Frutti.” But other Nashville recording artists at the time saluted Little Richard’s overwhelming influence by recording songs from his repertoire. These included Elvis Presley, The Everly Brothers, Bill Haley, Gene Vincent, Buddy Holly and Jerry Lee Lewis.

Little Richard renounced rock to become a gospel artist in 1958. He recorded a religious LP with producer Quincy Jones, but in 1962 returned to rock ‘n’ roll touring. His comeback rock hit was 1964’s “Bama Lama Bama Loo.”

During one Music City sojourn, Little Richard had been backed by future rock superstar Jimi Hendrix. The guitarist joined Little Richard’s band The Upsetters in 1964-65.

Little Richard appeared at several of the rock mass gatherings of the late 1960s, including the Toronto Pop Festival and the Atlantic City Pop Festival. His larger-than-life personality also made him a TV talk-show favorite during this era.

In 1970, his “Greenwood, Mississippi” single made an impression on some regional country charts. He was prominently featured on the 1972 Canned Heat pop hit “Rockin’ with the King.” Little Richard began recording in Muscle Shoals and Nashville around this same time.

He returned to Music City in 1976 to re-record his hits for K-Tel Records. These Nashville sessions at Jack Clement’s studio included Paul Worley on guitar and Eddie Bayers on drums. A gospel album for World Records was recorded in Music City in 1979. It was titled God’s Beautiful City.

By the 1980s, a who’s-who of rock superstars had cited Little Richard as a pioneering influence, including The Beatles, The Rolling Stones, James Brown, Michael Jackson, Prince, Stevie Wonder, Otis Redding, David Bowie, Bob Dylan and John Fogerty. Just about every piano-playing showman has acknowledged a debt to him—Elton John, Billy Joel, Ray Charles, Michael McDonald, Ronnie Milsap, Billy Preston, and Leon Russell.

Little Richard published his autobiography in 1984. He reemerged on the charts in 1986 with “Great Gosh A-Mighty.” The song was recorded for the soundtrack of the hit movie Down & Out in Beverly Hills, in which Little Richard had a prominent role. This led to several other film appearances, as well as bookings on such 1990s TV series as Full House, Columbo, Miami Vice and Baywatch.

He was one of the inaugural inductees into the Rock ‘n’ Roll Hall of Fame when it was launched in 1986. He received his star on the Hollywood Walk of Fame in 1990.

He was presented with a Grammy Lifetime Achievement Award in 1993. “Long Tall Sally,” “Tutti Frutti,” and “Lucille” are all in the Grammy Hall of Fame, as is his 1957 debut LP Here’s Little Richard.

He reconnected with Nashville in 1994 by recording “Somethin’ Else” with Tanya Tucker on the all-star album Rhythm, Country & Blues. The pair performed it on the CMA Awards, where he also memorably smooched Mary Chapin Carpenter during her performance of “Shut Up and Kiss Me.”

Little Richard moved to the Nashville area around 2000. He lived in the penthouse of the downtown Hilton and also settled with his brother’s family in Tullahoma, Tennessee.

He was inducted into the Songwriters Hall of Fame in 2003. Little Richard was presented with a star on the Music City Walk of Fame in 2008. Also in Nashville, he was saluted by the National Museum of African American Music in 2015. The state honored him in 2019 with a Tennessee Governor’s Arts Award.

His death was announced by his son, Danny Jones Penniman. Richard Penniman passed away in Tullahoma from bone cancer on Saturday morning (May 9). Further family and funeral information is unknown.

Statler Brother Harold Reid Passes At 80

The Statler Brothers member Harold Reid speaks on behalf of the group as The Statler Brothers accept Vocal Group of the Year from Dottie West and Lacy J. Dalton at “The 14th Annual CMA Awards” on Oct. 13, 1980, at the Grand Ole Opry House, live telecast on the CBS Television Network. Photo: Courtesy CMA

Bass singer, songwriter and humorist Harold Reid of The Statler Brothers died Friday (April 24) at age 80 of kidney failure.

Reid and the other members of his quartet were elected to the Country Music Hall of Fame in 2008. The Statler Brothers were the CMA Vocal Group of the Year every year from 1972 to 1977, then again in 1979, 1980 and 1984. The act hosted its own TNN cable TV series in 1991-98. It was the network’s top-rated program.

Don Reid was the group’s chief songwriter, but his brother Harold collaborated with him on a number of the act’s biggest hits of the 1970s, including “Do You Remember These” (1972), the Grammy Award-winning “Class of ‘57” (1972), “Carry Me Back” (1973), “Whatever Happened to Randolph Scott” (1973), “Some I Wrote” (1978), “Do You Know You Are My Sunshine” (1978), “The Official Historian on Shirley Jean Burrell” (1978) and “How to Be a Country Star” (1979).
In the 1980s, the brothers also co-wrote the top hits “Better Than I Did Then” (1980), “Don’t Wait on Me” (1981), “Whatever” (1982), “Guilty” (1983), “Sweeter and Sweeter” (1986) and “Let’s Get Started If We’re Gonna Break My Heart” (1988). On his own, Harold Reid contributed 1970’s “Bed of Rose’s” to the group’s hit repertoire.

The Statler Brothers performed Tuesday, June 6 in the Mercury Nashville during the 24th Annual Fan Fair 1995, The World’s Biggest Country Music Festival in Downtown Nashville.

Harold Reid was also the foundation of the Statlers’ comedic alter ego, Roadhog Moran & The Cadillac Cowboys. He was the parody act’s leader, Lester “Roadhog” Moran.

Bass harmony vocalist Reid founded The Four-Star Quartet in 1948. The gospel act also performed as The Kingsmen. After Harold’s lead singing younger brother Don Reid joined, the quartet became known as The Statler Brothers in 1955. In addition to the Reids, the founding members were baritone Phil Balsley and tenor Lew DeWitt (1938-1990). When DeWitt’s health failed, Jimmy Fortune replaced him in the Statlers in 1983.

Based in Virginia, the group took its name from a box of Statler facial tissues. After working on the gospel-quartet circuit, the group was discovered by Johnny Cash. He made the Statlers part of his roadshow in 1964-71. They were also featured on Cash’s national television series in 1969-71.

DeWitt’s “Flowers on the Wall” launched the act’s string of hits in 1965. The record crossed over to the pop hit parade and earned the group its first Grammy Award.

The Statler Brothers in their seats at “The 18th Annual CMA Awards” on Oct. 8, 1984, at the Grand Ole Opry House, live telecast on the CBS Television Network. Pictured (L-R): Don Reid, Phil Balsley, Jimmy Fortune, Harold Reid. Photo: Courtesy CMA

A switch from Columbia Records to the Mercury label coincided with an explosion of popularity for The Statler Brothers. The group recorded more than 50 albums, garnering 13 Gold Records and eight Platinum ones. In addition to its nine CMA trophies, the quartet collected 48 Music City News Awards.

During its 1965-90 heyday as hit makers, The Statlers placed 66 titles on the country charts. Of these, 33 became top-10 hits. The act was a mainstay on the country concert circuit for decades. The Statlers toured for several years with Brenda Lee. Among the quartet’s opening acts who later became superstars were Reba McEntire and Garth Brooks.

The Statler Brothers remained in Staunton, VA throughout their career. Beginning in 1970, the act staged annual July 4th celebrations in Staunton. These “Happy Birthday U.S.A.” events lasted for 25 years and eventually attracted crowds approaching 100,000.

A huge fireworks display always capped the festivities. These fountains of explosion were launched near Harold Reid’s home, Boxley Farm. The city of Staunton dedicated a monument to the group in 2002.

That was the year that The Statler Brothers announced their retirement and went on a farewell tour. Balsley and the Reid brothers remained in Staunton. Fortune relocated to Nashville and launched a solo career.

The Statler Brothers were inducted into the Gospel Music Hall of Fame in 2007. Don and Harold Reid co-authored a history of the group titled Random Memories, published in 2008.

The bluegrass group Dailey & Vincent often perform Statler Brothers songs in their shows and have long cited the quartet as an influence. Harold’s son Wil and Don’s son Langdon perform as Wilson Fairchild and have recorded the tribute tune “The Statler Brothers Song.” (They were previously billed as Grandstaff). Harold’s daughters Kim and Karmen have also performed as a country duo.

Kyle Young, CEO for the Country Music Hall of Fame and Museum, stated, “Harold Reid was a driving force in one of country music’s greatest quartets, the Statler Brothers. He helped steer the group to stupendous successes, and his stirring bass was the underpinning of dozens of classic hits. He was also a tremendous entertainer, and one of the world’s funniest people. For decades, he made us laugh and made us cry. As his alter ego, Lester ‘Roadhog’ Moran, would say, his contributions were ‘mighty fine.’ We mourn his loss while we celebrate a life well-lived.”

Funeral arrangements for Reid have not been announced.

Memphis Music Ambassador Knox Phillips Dies


Memphis Music Hall of Fame member Knox Phillips died Wednesday (April 15) at age 74 after battling cancer for many years.

He was a studio owner, engineer and producer who was a tireless booster of Memphis music. Knox also organized the diverse music makers in his hometown and was a co-founder of the city’s chapter of The Recording Academy in 1973.

The son of legendary Sun Records founder Sam Phillips (1923-2003), Knox grew up in the shadow of that future Rock n Roll Hall of Fame and Country Music Hall of Fame member. But Knox Phillips began carving his own niche into the Memphis music scene as a youngster by recording such local pop/rock groups as Randy & The Radiants and The Gentrys.

He took over the family’s recording studio and subsequently engineered records by such artists as Willie Nelson (Shotgun Willie, Phases & Stages), Jerry Jeff Walker (“Mr. Bojangles”), The Amazing Rhythm Aces (“Third Rate Romance,” “The End Is Not In Sight”), Phineas Newborn, Jackie DeShannon, Jim Post, Alex Chilton, Panther Burns and more.

Knox Phillips co-produced John Prine’s 1979 Memphis LP Pink Cadillac as well as many recordings by Jerry Lee Lewis. The latter were released in 2014 as Jerry Lee Lewis: The Knox Phillips Sessions.

He always worked to enhance his father’s legacy and reputation, providing invaluable assistance to author Peter Guralnick’s biography Sam Phillips: The Man Who Invented Rock ‘n’ Roll (2014). Knox also helped organize the Country Music Hall of Fame’s exhibit “Flying Saucers Rock & Roll: The Cosmic Genius of Sam Phillips” (2015-16).

Knox Phillips is survived by his wife Diane Duncan Phillips, brother Jerry Phillips and nieces Hailey Phillips and Roxanne Phillips Tays. Funeral arrangements have not been disclosed.

Singer-Songwriter Gary McSpadden Dies

Gary McSpadden

Singer/songwriter Gary McSpadden, whose music career includes time performing as part of vocal groups including The Statesmen Quartet, Oak Ridge Boys, Imperials, Bill Gaither Trio and Gaither Vocal Band, died April 15 in Tulsa, Oklahoma, following a battle with pancreatic cancer. He was 77.

The son of Boyd and Helen McSpadden, he grew up in Lubbock, Texas. In the early 1960s, McSpadden filled in for singer Jake Hess while Hess was on medical leave from gospel group The Statesmen Quartet. McSpadden later joined The Oak Ridge Quartet, around the time the group changed its name to The Oak Ridge Boys; McSpadden recorded three albums with the group.

During the mid-1960s, after Hess left The Statesmen, McSpadden joined Hess as part of his new group, The Imperials, and recorded a dozen albums with the group.

In 1977, McSpadden replaced Danny Gaither as part of The Bill Gaither Trio; by 1981, he was among the first members of The Gaither Vocal Band. McSpadden released his debut solo album in 1965 and went on to release 20 solo projects during his career.

As a songwriter, McSpadden penned songs including “Jesus Lord To Me,” “Hallelujah Praise The Lamb” and “No Other Name But Jesus.” He produced television series such as the Jubilee series, which was filmed in Branson, Missouri. He also produced and appeared in several music concerts in Branson in the 1990s and 2000s.

McSpadden and his wife Carol led Faith & Wisdom Church in Branson, Missouri. Carol wrote the following message on the church’s Facebook page:

As most of you know Gary and I have been in Tulsa at the Cancer Treatment Center of America. Gary has been battling cancer along with other complications over the last several weeks. This has been a quick and difficult journey we have been on. We knew this week that God had a plan and his healing would be here on earth or in heaven. As of 8:40 AM Pastor passed peacefully surrounded by his family into the arms of God.
2 Timothy 4:7 says I have fought a good fight I have finished my course and I have kept the faith. Pastor Gary fought hard, finished the race and was an unbelievable man of faith. I would like to thank all the Faith and Wisdom church family and all the many friends who have prayed with us during this time. Due to extenuating circumstances with Covid 19 we are working on plans for a celebration of life at a later date. We will be communicating those plans as they develop.

Love you and thank you
Carol

Country Recording Artist, Songwriter Jimmy Jay Dies At 84


James T. Pickard, Sr., the country recording artist and songwriter known as Jimmy Jay, passed away on April 6, following a battle with cancer. He was 84.

Under the name Jimmy Jay, Pickard was a country recording artist in the 1960s. He recorded songs “You’re Still With Me,” “I Might As Well Go Home,” “Bayou Girl,” and many others. As a musician, he also toured with artists such as Conway Twitty and Eddy Raven.

As a songwriter, his songs were recorded by many country artists, including: “Neon Row” by Eddy Raven and George Straight, “Why Not Tonight” by Neal McCoy, and “You Put It There” by Conway Twitty.

Pickard is survived by wife of 54 years, Jeanie Pickard, his sister, Sandy Killam, his four children and daughter-in-law, seven grandchildren, seven great grandchildren, and many nieces and nephews. In lieu of flowers, Pickard’s family asks donations be sent to Avow Hospice Naples.

BREAKING: John Prine Succumbs To Coronavirus

John Prine

Nashville Songwriters Hall of Fame member John Prine passed away on Tuesday, April 7 at age 73, at Vanderbilt University Medical Center due to complications from COVID-19, a spokesperson for the Prine family has confirmed to MusicRow.com.

Following a sudden onset of COVID-19 symptoms, he was hospitalized on Thursday, March 26. On Saturday, he was placed on a ventilator and listed in critical condition. His wife/manager, Fiona Whelan Prine, was diagnosed earlier and had quarantined herself from her husband since he was at risk. John Prine was a two-time cancer survivor and had other health issues weakening his immune system.

Prine was presented with a Grammy Lifetime Achievement Award earlier this year. He wrote or co-wrote such hits as Don Williams’ “Love Is on a Roll,” Bonnie Raitt’s “Angel From Montgomery,” Lynn Anderson’s “Paradise” and George Strait’s “I Just Want to Dance with You.” But his true importance is measured by his influence on other artists and their universally held respect for him.

During a five-decade, 25-album career, the singer-songwriter amassed a devoted cult following. Two of his albums won Grammy Awards. The Americana Music Association named him an Artist of the Year in 2005 and 2017. BMI gave him its Troubadour Award in 2018. He was a pioneer in self-marketing music via his own label.

John Prine was born Oct. 10, 1946 in Maywood, Illinois, a Chicago suburb. He wrote his first songs at age 14. Prine worked as a mailman in the Windy City throughout the 1960s. In 1970, he performed at an open-mic night at the Chicago folk club The Fifth Peg.

Singer-songwriter Steve Goodman (1948-1984) saw him and became Prine’s champion. He brought Kris Kristofferson to a Prine show at The Earl of Old Town in the summer of 1971. Also in the audience were pop star Paul Anka and actress Angela Lansbury.

At The Bitter End in New York, new fan Kristofferson introduced Prine’s music to Atlantic Records executive Jerry Wexler (1917-2008). Wexler signed Prine the next day.

John Prine appeared as the troubadour’s debut LP in 1971. He would perform many of its songs for the rest of his life. They included the chilling army-veteran portrait “Sam Stone,” the wry “Illegal Smile” and the “blow up your TV” song “Spanish Pipe Dream.” Bette Midler popularized its old-folks ode “Hello in There.”

Raitt made “Angel From Montgomery” her own, although John Denver, Carly Simon, Tanya Tucker, Old Crow Medicine Show and others have recorded it.

“Paradise” was the collection’s most popular song. It has been recorded by The Everly Brothers, Jackie DeShannon, Johnny Cash, Tom T. Hall, Dwight Yoakam, John Fogerty and dozens of bluegrass bands. In 1975, Lynn Anderson made it a mid-sized country hit. The John Prine album was voted into the Grammy Hall of Fame in 2015.

He followed it with 1972’s spare, folk-flavored Diamonds in the Rough. Its “Souvenirs” was sung by Goodman, The Country Gentlemen and Maggie Bell, among others. “The Late John Garfield Blues” was recorded by his benefactor Kristofferson. John Prine was nominated as 1972’s Best New Artist at the Grammy Awards.

Sweet Revenge appeared in 1973. This included such perennial Prine favorites as “Please Don’t Bury Me,” “Christmas in Prison” and “Dear Abby.” Its “Grandpa Was a Carpenter” was recorded by The Nitty Gritty Dirt Band and Lonesome Standard Time.

In 1975, David Allan Coe had a hit with “You Never Even Called Me By My Name.” Prine co-wrote it with Goodman, but refused to take any credit so that his leukemia stricken pal could earn more royalties.

Steve Cropper produced 1975’s Common Sense. Joining Prine on the record were J.D. Souther, Glenn Frey, Jackson Browne, Goodman and Raitt. He closed out his Atlantic tenure with Prime Prine, a best-of collection. That 1976 LP is now the artist’s only Gold Record.

He embarked on a rigorous touring schedule, building up a loyal fan base by staying on the road for up to nine months of the year. He also began spending time in Nashville with Jack Clement (1931-2013).

His recording contract was picked up by Asylum. He made his debut on the label with 1978’s folk-rock collection Bruised Orange. Produced by Goodman, it included “That’s the Way the World Goes ‘Round,” later cut by Miranda Lambert, Norah Jones and Green on Red.

Pink Cadillac (1979) was Prine’s Memphis rockabilly album. Storm Windows (1980) was recorded in Muscle Shoals. John Prine moved to Nashville in 1980. Fed up with major labels, he formed his own Oh Boy Records with manager Al Bunetta (1943-2015). His debut for it was a 1982 holiday single, “I Saw Mommy Kissing Santa Claus.”

In 1983, country superstar Don Williams gave Prine his first No. 1 hit, “Love Is on a Roll.” The songwriter co-wrote it with Nashville tunesmith Roger Cook. “Jackie O” was a collaboration with John Mellencamp on the rock star’s 1983 Platinum album Uh-Huh.

Prine’s first Oh Boy LP was 1984’s Aimless Love, primarily recorded at Clement’s studio in Nashville by co-producer Jim Rooney. Its song “Unwed Fathers,” co-written with Bobby Braddock, was popularized by Tammy Wynette, Gail Davies and Johnny Cash.

Steve Goodman died in 1984, just as his “City of New Orleans” was becoming a standard. Prine sang Goodman’s songs in concert throughout the rest of his own life.

The Grammy-nominated German Afternoons (1986) repeated the Aimless Love studio recipe and included two more Prine evergreens. “Speed of the Sound of Loneliness” was sung by Nanci Griffith, Kim Carnes, Amos Lee and Gove. “I Just Want to Dance with You,” co-written with Cook, became a 1998 No. 1 hit for George Strait.

A long hiatus followed German Afternoons, interrupted only by his single “Let’s Talk Dirty in Hawaiian” (1987) and a live CD (1988).

For his return, Prine teamed up with Tom Petty’s Heartbreakers on 1991’s The Missing Years. Its cast included Bruce Springsteen, Phil Everly, David Lindley, Petty, Raitt and producer Howie Epstein (1955-2003). The album earned John Prine his first Grammy Award. Its song “All the Best” was covered by the Zac Brown Band in 2017.

Rhino Records saluted him with a 1993 boxed set titled Great Days: The John Prine Anthology. Epstein re-teamed with the songwriter for 1995’s Lost Dogs and Mixed Blessings.

In Spite of Ourselves (1999) was an acclaimed album of country classics recorded in Nashville as duets with Trisha Yearwood, Connie Smith, Melba Montgomery, Emmylou Harris, Patty Loveless and other female artists. The CD’s title tune was sung with Iris DeMent. It was included on the soundtrack of Daddy & Them (2001), a film which featured Prine on screen alongside Billy Bob Thornton.

He re-recorded many of his early favorites for Souvenirs (2000) so that Oh Boy would have its own versions. In addition to Prine and Goodman, the company also issued works by Kristofferson, Todd Snider, Donnie Fritts, Shawn Camp and more.

John Prine was inducted into the Nashville Songwriters Hall of Fame in 2003. The following year, he contributed his rendition of “My Old Kentucky Home” to Beautiful Dreamer: The Songs of Stephen Foster. The collection won a folk Grammy Award.

Fair & Square (2005) earned Prine his own Grammy, his second. The CDs cast included Camp, Alison Krauss, Jerry Douglas, Mindy Smith, Pat McLaughlin and Dan Tyminski, among others.

On 2007’s Standard Songs for Average People, he sang vintage tunes with Mac Wiseman (1925-2019). Oh Boy issued a multi-artist tribute CD to Prine in 2010. The Singing Mailman Delivers (2011) contained performances taped in 1970 prior to his commercial debut.

For Better Or Worse (2016) was a sequel to In Spite of Ourselves, this time pairing Prine with Lee Ann Womack, Kathy Mattea, Miranda Lambert, Kacey Musgraves, Krauss and more.

In 2018, John Prine released his first new collection of original material in 13 years. Titled The Tree of Forgiveness, it became his highest-charting Billboard album, was nominated for three Grammys and spawned eight promotional videos.

Funeral arrangements have not yet been announced.

Industry Vet Marty Martel Passes

Industry veteran Marty Martel passed away peacefully in his sleep on Sunday, March 29.

Donald Robert “Marty” Martel was born in Ogdensburg, New York on March 9, 1939. He made his debut into the country music world back in the 1950s and enjoyed a career as a successful touring artist, a talent and booking agent, and a show promoter in Nashville with his company Midnight Special Productions.

Martel also spent many years of his life dedicated to the legends of the country industry, advocating for their place in the Hall of Fame and the recognition they deserved. Over his 40-year career as a talent manager and booking agent, he would represent some of country’s most iconic artists including managing the career of Johnny Paycheck. During the course of his career he also established a successful “Legends Fest” touring show.

Martel is survived by his children Brittney Amara Martel, Kristopher Martel, Deron Martel, Tami West, Dennis Morefield, and Shannon Martin along with his 15 grandchildren.

A memorial/celebration of life will be held at Our Lady Of The Lake Church in Hendersonville, TN as soon as the family is permitted to do so. Details will be made available publicly as soon as they are finalized. Any donations/cards/flowers may be sent to 2144 Erin Lane, Mt Juliet, TN 37122, C/O Brittney Amara.

Hit Songwriter Alex Harvey Passes


Singer, entertainer, actor and hit Nashville songwriter Alex Harvey has died at age 73.

Harvey is known for such classics as “Delta Dawn,” “Rings,” “Hell and High Water” and “Reuben James.” He was featured in such TV series as Dallas, The Dukes of Hazzard and Walker, Texas Ranger, as well as such movies as The Blue and the Gray, The Dollmaker, Parent Trap II and Country.

During a five-decade career, he recorded a dozen albums. He was a colorful showman whose nightclub appearances garnered rave reviews.

Thomas Alexander Harvey was born in Dyersburg, TN. He attended Murray State University in Kentucky, earning a master’s degree in music with a minor in drama. Following graduation, he headed to Nashville. Harvey initially supported himself by transcribing songwriters’ works into sheet-music form.

Songwriter Billy Edd Wheeler (“Jackson,” “Coward of the County”) became his mentor. Harvey also learned from Kris Kristofferson, who was one of the songwriters he transcribed.

When Kenny Rogers came to town to tape a TV show, Harvey deployed his charm and salesmanship to pitch the star “Reuben James.” Rogers and The First Edition made it into a Top 30 pop hit in 1969. Conway Twitty, Wanda Jackson and Jerry Lee Lewis were among those who later recorded Harvey’s lyric of racial harmony.

Alex Harvey earned his first country music credits for “Molly,” recorded by Jim Glaser in 1969 and for “Baby, Baby I Know You’re a Lady,” a No. 1 hit for David Houston in 1970. Dusty Springfield recorded Harvey’s “Someone Who Cares” that same year. It became the theme song for the Jason Robard‘s movie Fools.

In the wake of “Reuben James,” Kenny Rogers recorded more than a dozen Harvey songs. They included the 1970 social-commentary pop hit “Tell It All Brother” and “Hoodooin’ of Miss Fanny DeBerry,” which was included on the million-selling Gambler LP.

Rogers urged him to move to L.A. in 1970. Harvey took acting classes and began seeking TV and movie parts.

Meanwhile, the Memphis pop group Cymarron had a big hit with his “Rings” in 1971. Tompall & The Glaser Brothers covered it for the country field, hitting the Top 10. Lobo, Lonnie Mack, Reuben Howell and Twiggy also recorded “Rings.”

Harvey was signed by Capitol Records on the West Coast. Alex Harvey appeared as his debut LP in 1971. Rogers produced four of its songs, and Wheeler penned its liner notes. “Delta Dawn,” co-written with Larry Collins, was this album’s closing track.

Tanya Tucker launched her career with “Delta Dawn” in 1972. It remains her signature song. In 1973, Helen Reddy turned it into a No. 1 pop smash. It has also been recorded by Loretta Lynn, Bette Midler, Charlie McCoy, Kitty Wells, Waylon Jennings, Dottie West, Teresa Brewer, The Statler Brothers and many others.

“The song started everything off for me,” said Tanya Tucker yesterday (April 5). “I thank God for him, his song, my life, my career and my fans….My life would have been so different without the iconic ‘Delta Dawn’ and her creator Alex Harvey.”

Capitol released Souvenirs as Harvey’s second LP in 1972. It included his own versions of “Rings” and “Reuben James.” His third LP, 1973’s True Love, included “Makin’ Music for Money.” Jimmy Buffett popularized the song the following year.

Harvey next signed with Buddah Records, which released Preshus Chlld (1976) and Purple Crush (1977) as his next two albums. But his main focus during this period was on his acting career. James Garner took Harvey under his wing and featured him in the 1982 TV film The Long Summer of George Adams.

Subsequent movies cast him alongside Jane Fonda (1984’s The Dollmaker), Sharon Gless (1984’s The Sky Is No Limit), Jessica Lange (1985’s Country), Hayley Mills (1987’s The Parent Trap II), Daniel J. Travanti (1983’s Adam), Stacy Keach (1982’s The Blue and the Gray), Michael Pare (1987’s Houston Knights) and Kristofferson (1997’s Fire Down Below).

Alex Harvey moved back to Nashville in 1983. He reacquainted local audiences with his songs and showmanship. He augmented his distinctive, bluesy vocals with flamboyant costumes and handed out buttons, ribbons and printed programs at gigs.

In 1986 T. Graham Brown had a No. 1 hit with “Hell and High Water,” co-written with Harvey. Willie Nelson recorded “No Place But Texas,” the 1986 Alex Harvey song that was named the official song of the state’s sesquicentennial celebration. It also became the title tune of Harvey’s sixth album.

Tim Ryan had his chart debut in 1990 with their collaboration “Dance in Circles,” and the two became frequent songwriting partners. Billy Ray Cyrus returned Harvey to the country Top 10 via “Somebody New” in 1993, and he returned to the songwriter’s catalog for 1997’s “Bluegrass State of Mind.” Chris LeDoux sang Harvey’s “Five Dollar Fine” in 1999.

Over the years, his songs have also been recorded by Anne Murray, Andy Williams, Eydie Gorme, Merle Haggard, Ferlin Husky, Shirley Bassey, Percy Faith, George Hamilton IV, Leo Kottke, Roy Drusky, Arthur Prysock, Jim Ed Brown, Ed Bruce, Vikki Carr and Peggy Lee, among others.
Alex Harvey continued to record throughout the 1990s and 2000s. His output included Black and Red (1995), Eden (1997), Arms of an Angel (2001), Peace (2003), The Songwriter (2004), Galilee (2005) and Heart of the Art in Song (2018).

In 2015 he created a book as well as an album titled Texas 101. Harvey also hosted syndicated radio and TV series in the Lone Star State.
Alex Harvey’s death on April 4 was revealed yesterday in a Facebook post by his wife, Gineille Sabilino.

BREAKING: Joe Diffie Dies At 61 From Coronavirus Complications


Multi-million selling Grand Ole Opry star Joe Diffie passed away on Sunday, March 29, following a brief illness. Diffie, 61, announced last Friday that he had tested positive for COVID-19, the coronavirus. He has now become the first music star to die from the disease.

One of the biggest country hit makers of the 1990s, Joe Diffie had more than 20 Top 10 hits. They include such No. 1 smashes as “Home,” “Third Rock from the Sun” and “Pickup Man.” He holds four Gold Record awards and two Platinum ones for his albums.

He co-wrote nine of his hits as well as successful songs for Jo Dee Messina, Holly Dunn, Tim McGraw and Conway Twitty. During his career, he won both Grammy and CMA awards.

Known as a “singer’s singer,” he received praise from such greats as Tammy Wynette, George Jones, Gene Watson, Vern Gosdin, Liza Minelli, Garth Brooks, George Strait and Buck Owens. Diffie celebrated his 25th anniversary as an Opry star last year with a show including Vince Gill, Michael Ray and Ricky Skaggs.

Born Dec. 28, 1958 in Duncan, OK, Diffie was raised in a musical household. He was singing in gospel groups such as Higher Purpose by the time he was in high school. He spent four years as a member of the bluegrass band The Special Edition and made his recording debut by recording an album with that group in 1985.

While working at an iron foundry in Oklahoma, Diffie also ran a small recording studio. When the foundry laid him off and he went through a divorce, there was no reason not to start over in Nashville. He arrived in 1986.

Diffie took a job at the Gibson Guitar factory, then landed a staff songwriting gig on Music Row. Hank Thompson recorded his “Love on the Rocks” in 1988. Holly Dunn scored a big 1989 hit with his “There Goes My Heart Again.”

He also attracted attention for his vocals on demos for other songwriters. Diffie sang the demos of such future hits as “I’ve Cried My Last Tear for You” (Ricky Van Shelton), “Born Country” (Alabama), “You Don’t Count the Cost” (Billy Dean) and “I Cross My Heart” (George Strait). This led to a recording contract with Epic Records in 1990.

Joe Diffie’s first single was “Home,” which was notable as a debut disc that hit No. 1. In 1991-92, he scored successive hits with “If You Want Me To,” “If the Devil Danced (In Empty Pockets),” “New Way (To Light Up an Old Flame),” “Is It Cold in Here,” and “Ships That Don’t Come In.” In 1992, he earned a Grammy nomination for “Not Too Much to Ask,” his duet with Mary Chapin Carpenter. He was also nominated as the CMA Male Vocalist that year.

Diffie won a CMA Award in 1993 for “I Don’t Need Your Rockin’ Chair,” recorded with George Jones and other guest vocalists. His songwriting continued to make waves as “I’m the Only Thing (I’ll Hold Against You)” and “Memory Lane” both became 1993 singles, for Conway Twitty and Tim McGraw, respectively. Also in 1993, Joe Diffie was inducted into the Opry cast and co-hosted the International Bluegrass Music Association’s award show (a gig he repeated in 1999).

Most of his early singles were ballads, at which his powerful honky-tonk tenor excelled. Beginning in 1993, a different Joe Diffie emerged on disc. He released a string of wildly successful uptempo novelty tunes. These included such hits as “Honky Tonk Attitude” (1993), “Prop Me Up Beside the Jukebox” (1993), “John Deere Green” (1994), “Third Rock from the Sun” (1994), “Pickup Man” (1994), “I’m in Love with a Capital U” (1995), “Bigger Than the Beatles” (1996) and “C-O-U-N-T-R-Y” (1996).

Following a second divorce, he began a long relationship with Liz Allison, the widow of NASCAR star Davey Allison. Diffie had sung at Davey’s funeral after the race-car driver died in a 1993 helicopter accident. The new romance led to coverage in People magazine and several tabloids in the mid 1990s.

In 1996, Ford Trucks selected “Pickup Man” as its jingle, which Diffie re-recorded for a national ad campaign.

The following year, Diffie was presented with the Country Radio Broadcasters Humanitarian Award for his work with Tennessee Special Olympics, Teach for America, Operation Smile, Parade of Pennies, the Children’s Organ Transplant Association and other charities. He did an annual concert and golf tournament to benefit First Steps because he was the father of a child with Down Syndrome.

Also in 1997, he made his acting debut opposite Johnny Cash in the TV movie All My Friends Are Cowboys. He closed out the year as the Grand Marshall of the Nashville Christmas Parade.

He re-entered the Top 10 on the country charts with 1998’s “Texas Size Heartache.” Then he earned a Grammy Award for his participation in the 1998 Marty Stuart all-star outing “Same Old Train.”

The hits “A Night to Remember” (1999), “The Quittin’ Kind” (1999), “It’s Always Somethin’” (2000) and “In Another World” (2001) took Diffie into the new century. He was inducted into the Oklahoma Music Hall of Fame in 2002.

Diffie signed with Broken Bow and hit the charts again with “Tougher Than Nails” in 2004. The following year, he returned to No. 1 as the co-writer of Jo Dee Messina’s smash “My Give a Damn’s Busted.”

Rounder Records picked him up in 2010 to distribute his CD Homecoming: The Bluegrass Album. The record’s supporting cast included The Grascals, Shawn Camp, Rhonda Vincent, Rob Ickes, Aubrey Haynie, Alecia Nugent, Bradley Walker, Harley Allen and Charlie Cushman. Later that year, Diffie published Homecoming: The Diffie Family Cookbook.

In recent years, Joe Diffie had returned to mainstream country recording. He teamed with Aaron Tippin and Sammy Kershaw on the 2013 CD All in the Same Boat.

Younger artists have begun to acknowledge his influence. Blake Shelton sings his “If the Devil Danced (In Empty Pockets).” Diffie is prominently name-checked in such hits as Jason Aldean’s “1994” (2012) and Chris Young’s “Raised on Country” (2019).

Joe Diffie is survived by his wife Tara and by children Parker, Kara, Drew, Tyler and Kylie. Funeral arrangements have not been announced.

BREAKING: Grand Ole Opry Member Jan Howard Dies at 91

Jan Howard. Photo: Joel Dennis.

Singer-songwriter Jan Howard, known as one of “The Grand Ladies of the Grand Ole Opry,” has passed away at age 91.

During her long career, Jan Howard was a recording star, a hit writer, a member of Johnny Cash’s troupe, Patsy Cline’s demo singer, Bill Anderson’s duet partner, Harlan Howard’s wife and business co-owner, Tammy Wynette’s confidant and Wynn Stewart’s disc collaborator, as well as a matriarch of the Opry cast.

Her big solo hits included “The One You Slip Around With” (1960), “Bad Seed” (1966) and the Grammy-nominated singles “Evil On Your Mind” (1966) and “My Son” (1968). While working on the West Coast, she recorded such 1958-60 duets as “Wrong Company,” “How the Other Half Lives” and “Yankee Go Home” with Wynn Stewart.

Her hit Anderson duets in Nashville included “For Loving You” (1967), “If It’s All the Same to You” (1969), “Someday We’ll Be Together” (1970) and “Dis-Satisfied” (1971). She was also a member of Bill Anderson’s road show and TV series cast for seven seasons.

In addition, Howard logged a number of years as an “honorary” member of Mother Maybelle & The Carter Sisters. In this capacity, she can be clearly heard warbling, “Mama sang tenor” on the memorable 1969 Johnny Cash hit “Daddy Sang Bass.”

She also authored one of country music’s most compelling autobiographies, Sunshine and Shadow (1987). She said that she wrote it as therapy when she became suicidal. That is understandable: Howard had much trauma to heal via the book. Her saga included rape, spousal abuse, bigamy, poverty, war fatality, infidelity, divorce, suicide, financial ruin and mental illness.

She was born Lula Grace Johnson in 1930, the eighth of the 11 children of an impoverished farm couple during the Great Depression. Raised near West Plains, MO, she was enthralled by Grand Ole Opry radio broadcasts as a girl and fantasized about being a country singer.

Howard recalled being raped at age 8 by one of her father’s friends. She kept it a secret from her family. She dropped out of school to marry at age 16. Her husband beat her viciously and tried to kill her. She fled with their three sons and had a nervous breakdown. Following her 1953 divorce, she wed a military man who turned out to be already married. This time, she and her boys got on a bus headed for California.

On the West Coast, she met and married aspiring songwriter Harlan Howard (1927-2002) in 1957. After two miscarriages, she had a hysterectomy at age 27. During her recovery, Harlan heard her singing as she washed dishes one evening. Painfully shy, it was one of the first times she had ever sung in front of someone.

Harlan was so excited by his discovery that he taped Jan singing his song “Mommy For a Day” and sent the result to Nashville. Kitty Wells had a hit with the song in 1958. Jan was soon constantly in the studio recording demos of her husband’s tunes.

Harlan believed that his wife could record hits, herself. When she signed with Challenge Records, the label changed “Grace” to “Jan.” She recorded Harlan’s “Pick Me Up on Your Way Down” and “I Wish I Could Fall in Love Today” in 1958-59. Both later became country standards.

During these early years, she and influential West Coast honky-tonk star Wynn Stewart (1934-1985) recorded their duets. Jan scored her first solo hit with Harlan’s “The One You Slip Around With” in 1960.

The Howards moved to Nashville later that year. Despite chart success for her as a singer and for him as a writer, anxiety plagued Jan Howard. She developed phobias of heights, open spaces and the dark, as well as crippling stage fright. Harlan institutionalized her, and she went into therapy.

Because of her hit, Jan began getting calls to do guest appearances on the Opry. The show’s Jean Shepard (1933-2016), Skeeter Davis (1931-2004) and, especially, Patsy Cline (1932-1963) welcomed, comforted and befriended her. Jan sang Harlan’s song demos that became Patsy’s records, including “I Fall to Pieces,” “When I Get Through With You,” “That’s When Your Heartache Begins,” “You Took Him Off My Hands” and “He Called Me Baby.”

Patsy Cline recorded for Decca Records. The label’s Owen Bradley (1915-1998) was impressed with Jan’s demos. He signed her to a Nashville recording contract and became her producer. Bradley was an architect of a style of country recording known as The Nashville Sound.

Unlike most of her ballad-singing contemporaries, Jan’s version of The Nashville Sound featured up-tempo tunes. She brought brass and sass to the style. Despite her chronic inner doubts, insecurities and fears, she frequently expressed assertiveness, self-confidence and spunk in her recorded performances.

Harlan Howard wrote many of Jan’s singles of the 1960s, including “I Wish I Was a Single Girl Again” (1963), “What Makes a Man Wander” (1965), “Evil On Your Mind” (her biggest hit, 1966), “Time Out” (1966) and “Any Old Way You Do” (1967). But the marriage unraveled after she became aware of his infidelities. Jan said that Harlan duped her out of her half of their song publishing business before their divorce in 1967.

Now her singing became an economic necessity. Opry star Bill Anderson supplied her with the songs “Bad Seed” (1966), “Count Your Blessings Woman” (1968), “I Still Believe in Love” (1968) and “The Soul You Never Had” (1970), as well as most of their duets.

Jan was a songwriter, too. She wrote the Kitty Wells hit “It’s All Over But the Crying” (1966) and Bill Anderson’s hit “Love Is a Sometimes Thing” (1970), as well as her own singles “Marriage Has Ruined More Good Love Affairs” (1971) and “Life of a Country Girl Singer” (1981).

She and Anderson co-wrote their hit 1971 duet “Dis-Satisfied,” as well as Connie Smith’s 1970 hit “I Never Once Stopped Loving You.” Her songs “Ring the Bells for Jim” and “Christmas As I Knew It” were recorded by Johnny Cash. She wrote “Wherever You Are,” for Jean Shepard. She wrote songs recorded by Conway Twitty, The Osborne Brothers, Tammy Wynette and others.

Jan also wrote 1968’s “My Son,” a moving recitation that began as a letter to her son serving in Vietnam. Despite her reservations, Anderson insisted she record it. She wept throughout the recording session. This mother’s plea for the safe return of her boy was on the market for just two weeks when Jan’s son Jimmy was killed in the war.

During her mourning, Jan got more than 5,000 letters from soldiers and their parents, saying how much the Grammy-nominated single meant to them. She was never able to perform it live.

Les Leverett (L) and Jan Howard (R) perform at the Grand Ole Opry. Photo: Grand Ole Opry.

Four years later, her youngest son David committed suicide at age 21. A singer, dancer and actor, he had been a performer at the Opryland theme park.
June Carter (1929-2003) and Johnny Cash (1932-2003) helped the devastated Jan to cope with her losses by taking her on the road with them. She also sang backup on such Cash hits as “Ghost Riders In the Sky,” “Gone Girl” and “I Will Rock and Roll With You,” as well as “Daddy Sang Bass.”

Next, Tammy Wynette (1942-1998) hired Jan in 1980 to become a member of her ensemble as a backup singer. This troupe toured internationally, and the two women remained close thereafter.

Jan Howard’s 1987 autobiography was/is a testament to the survival of the human spirit in the face of overwhelming tragedy. She always maintained that it wasn’t a show-business book. Rather, she viewed it as the story of a woman who endured despite adversity.

In the 1990s and 2000s, Jan became ever more active in veterans’ issues. She campaigned for the establishment of the Vietnam War Memorial in Washington D.C. and has been a spokesperson for the Veteran’s Administration and for several Armed Forces charities.

During her recording career, Jan Howard placed 30 titles on the country hit parade. She issued 15 albums between 1960 and 1986. She became a Grand Ole Opry cast member in 1971. Her trumpet-like tones were a fixture on the Opry stage for more than four decades thereafter. Along with Jean Shepard, Connie Smith and Jeannie Seely, Jan Howard was dubbed one of “The Grand Ladies of the Grand Ole Opry” during her later years.

She is survived by one of her three sons, Carter A. Howard and his wife Pamela, two grandchildren, Mitsi H. Lindsay (Keith), Anita H. Simpson (Travis), and three great-grandchildren, Cole, Alli and Charlie.