Granger Smith Hosts Truck Giveaway, Gives His Own Truck To Lucky Fan

Photo: Paul De La Cerda.

Granger Smith wrapped his recent truck giveaway contest for fans offering his very own truck. Smith held the contest at his Yee Yee Farm where the five qualifying winners competed for the grand prize truck.

The goal of the giveaway was to be the last to remove their hand from the truck, which posed a challenge as the participants withstood 24 hours of cold, rain, and declining an onslaught of enticing offers. The truck eventually went to deserving recipient Mark from Wisconsin, who was in need of a new vehicle for his family back home. The runner up, Lauren from Ohio, stood toe to toe all night and finally accepted an offer to go on tour for a weekend with Granger in 2021, ending the contest with a win-win for all involved.

Smith’s album Country Things, his 10th studio album, has already sold over 10,000 physical copies, and during street week of the album, he filmed the music video for “Diesel (feat. Earl Dibbles Jr,)” that amassed double the number of views in the first 12 hours than his viral video for “Holler” did in that window. The new video has already been viewed over a million times in ten days.

Click here to watch the full video of the contest.

MusicRow’s CountryBreakout Radio Chart Top Songs Of 2020

With the last CountryBreakout Radio Chart published for 2020, the year end chart data is in. The most spun song of 2020 was Jon Pardi‘s “Ain’t Always The Cowboy,” which received 53,155 spins and peaked at No. 1 on Aug. 27. “Ain’t Always The Cowboy” was written by Brandon Kinney and Josh Thompson.

Jon Pardi. Photo: Jim Wright

Rounding out the top 5 are Kip Moore‘s “She’s Mine” with 52,611 spins, “One Beer” by HARDY feat. Lauren Alaina & Devin Dawson (52,482 spins), Justin Moore‘s “Why We Drink” (50,722 spins), and “Die From A Broken Heart” by Maddie & Tae with 50,696 spins.

The MusicRow CountryBreakout Radio Chart will resume on Friday, Jan. 8, 2021. The top artists of 2020 along with Songwriter of the Year, Label of the Year, and Reporter of the Year will be revealed in the 2021 Country Radio & Streaming print issue, out in February.

To have a copy of this issue mailed to you in February, become a member today!

Maren Morris Cancels RSVP Tour

Photo: Tyre Grannemann

Maren Morris has cancelled her RSVP tour due to ongoing uncertainty from the pandemic and fans can receive a full refund for tickets at point of purchase.

She revealed the news to fans on Twitter, saying even with the vaccine she was still unsure of when she might be able to do the tour in 2021, and with the prospect of having to reschedule dates yet again she decided to pull the plug.

“I truly appreciate your patience on this,” said Morris in the post. “I am in the midst of working on my third record, so I hope we can all come together and enjoy live shows safely again soon.”

Morris was recently honored with the Nashville Symphony Harmony Award on Dec. 12. Each year, the Nashville Symphony presents the award to individuals who embody the harmonious spirit of Nashville’s musical community, and Morris performed during the 36th annual event which aired on WSMV Channel 4.

Weekly Register: Christmas Music Dominates

Christmas music dominates the top of the country albums chart again this week, with three of the top five albums. Carrie Underwood stays at No. 1 (No. 6 all-genre) with My Gift earning 47K total consumption(26K album only/25 million song streams) according to Nielsen.

Dolly Parton‘s A Holly Dolly Christmas comes in third with 28K, and Elvis Presley‘s Classic Christmas Album is at No. 5 with 26K.

Luke CombsWhat You See Is What You Get is at No. 2 with 34K, and Chris Stapleton‘s Starting Over is at No. 4.

Top 5 Country Streaming Songs This Week:
Gabby Barett – “I Hope” – 6.5M streams / 504M RTD
Luke Combs – “Forever After All” – 6.4M stream / 89M RTD
Morgan Wallen – “More Than My Hometown” – 5.6M streams /197M RTD
Luke Combs – “Better Together” – 5.5M streams / 190M RTD
Morgan Wallen – “Somebody’s Problem” – 5.5M streams / 33M RTD

Josh Osborne Finishes 2020 Atop MusicRow Top Songwriter Chart

Josh Osborne

For the last MusicRow Top Songwriter Chart of 2020, Josh Osborne remains at No. 1 for the sixth consecutive week. The charting songs cementing Osborne’s place at the top are “Happy Anywhere” (Blake Shelton and Gwen Stefani), “Beers And Sunshine” (Darius Rucker), “How They Remember You” (Rascal Flatts), “7 Summers” (Morgan Wallen), “Breaking Up Was Easy In The 90’s” (Sam Hunt), “Next Girl” (Carly Pearce), and “Never Be Sorry” (Old Dominion).

Randy Montana, with Parker McCollum’s recent No. 1 “Pretty Heart,” Luke Combs’ “Better Together,” and Justin Moore’s “We Didn’t Have Much,” remains at No. 2. Ross Copperman moves up to No. 3 on the MusicRow Top Songwriter Chart with “Happy Anywhere” (Blake Shelton and Gwen Stefani), “Beers And Sunshine” (Darius Rucker), “Lady” (Brett Young) and “We Were Rich” (Runaway June) propelling him.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Rockabilly Star Carl Mann Dies

Country singer Carl Mann passed away on Wednesday, Dec. 15, at age 78 in Jackson, Tennessee.

He burst on the recording scene in 1959 with his galloping rockabilly reworking of the 1950 Nat King Cole pop hit “Mona Lisa.” He followed it with similar uptempo treatments of Cole’s ballads “Pretend” and “Too Young,” as well as Gene Autry’s 1939 tune “South of the Border.”

Mann was one of the last artists that Sam Phillips introduced to the world from his Sun Records empire in Memphis. Carl Mann came along in the wake of such Sun legends as Elvis Presley, Johnny Cash, Jerry Lee Lewis, Carl Perkins, Roy Orbison and Charlie Rich as Phillips’ protégées.

Like Rich, he recorded for Philips International Records, a Sun subsidiary. Former Sun signee Conway Twitty copied Carl Mann’s version of “Mona Lisa” and also scored a 1959 hit with it (for MGM Records).

Carl Mann was a native of Huntingdon, Tennessee and was a prodigy appearing on the radio on nearby WDXI in Jackson, Tennessee at age 10. Inspired by the sounds of Nashville’s Grand Ole Opry, the singer, guitarist and pianist had his own band at age 12 and first recorded at age 14.

His 1957 single for Jaxon Records was the teen-themed “Gonna Rock and Roll Tonight.” At age 17, he wrangled an audition with Sun’s Jack Clement, which led to the recording of “Mona Lisa.” Much of his subsequent youthful output was in a similar vein. Mann rocked-up “Some Enchanted Evening,” “The Wayward Wind,” “Blueberry Hill,” “Mexicali Rose” and “Don’t Let the Stars Get in Your Eyes.”

Rockabilly fans also revere his versions of “Ubangi Stomp,” “Foolish One,” “Baby I Don’t Care,” “Kansas City,” “Rockin’ Love” and “I’m Coming Home.” He recorded his most influential tracks in both Memphis and in Sun’s Nashville studio supervised by Billy Sherrill, Scotty Moore and Kelso Herston.

He toured with Rich, Cash and Perkins, as well as with country stars George Jones and Loretta Lynn. But Mann’s career stalled when he was drafted into the Army in 1964.

Like most of the rockabilly stars, Mann returned to mainstream country music in the 1960s. He recorded for Monument Records and briefly charted in 1976 on ABC/Dot with a reworking of The Platters oldie “Twilight Time.” The following year, Sun issued an LP compiling his classics.

Mann left music to work in his father’s lumber business in Huntingdon, but was repeatedly lured back by offers to tour in Europe. He released an album in Holland in 1978 and another in Switzerland in 1985.

Germany’s Bear Family Records reissued his Sun sides in 2008 on a CD titled Carl Mann Rocks! Mann was an inductee into the Rockabilly Hall of Fame. In 2011 he was the subject of the book The Last Son of Sun. He issued a self-titled CD in 2012.

Plans for a memorial service are pending, according to the Memphis Commercial Appeal.

Concord And Universal Music Group Extend Distribution Agreement

Concord has renewed its global distribution agreement with Universal Music Group, extending a successful partnership that has spanned more than 15 years.

Under the new contract, UMG will continue to physically and digitally distribute releases from Concord’s frontline labels, led by Chief Label Executive Tom Whalley, and catalog projects led by Chief Catalog Executive Sig Sigworth, including recordings from Craft Recordings, Fantasy Records, Fearless Records, Loma Vista Recordings, Rounder Records, Concord Jazz and the No. 1 children’s brand KIDZ BOP.

“UMG and Concord have built a wonderful relationship over the past 15 years,” said Concord CEO Scott Pascucci. “As we have grown, they have provided the support that we needed to expand the worldwide success of our frontline labels, the KIDZ BOP franchise, Craft Recordings, and the rest of our catalog. We are very pleased to be renewing this partnership with Universal.”

“Our partnership with Concord is built on a foundation of shared values,” said Sir Lucian Grainge, Chairman and CEO of Universal Music Group. “We both put artists and creativity at the center of everything we do. I couldn’t be happier to extend our partnership and l look forward to even more success working with Scott, Tom, Sig and the entire Concord team.”

UMG has been integral in Concord’s recent label expansion, assisting in developing and breaking new artists and promoting established artists. Concord’s master recording catalog, rich in legacy and content and curated by Craft Recordings, has also provided this long-term distribution collaboration with many rewarding projects.

Save Our Stages Act Included In New COVID Relief Bill

Last night (Dec. 20) it was announced that Congress has reached an agreement on a second COVID relief stimulus package, that will include the Save Our Stages Act. If passed, the stimulus package will include $900 billion in aid, with a $15 billion going to indie establishments.

“We’re thrilled that Congress has heard the call of shuttered independent venues across the country and provided us a crucial lifeline by including the Save Our Stages Act in the COVID-19 Relief Bill. We’re also incredibly grateful that this bill provides Pandemic Unemployment Assistance which will help the millions of people who lost their jobs through no fault of their own during this economic crisis. We urge swift passage of this legislation, which will assist those in the greatest need and ensure the music lives on for generations to come,” said Owner & CEO, First Avenue Productions and Board President of NIVA, Dayna Frank.

According to The New York Times, both chambers approved the measure on Sunday night, and President Trump signed it shortly before midnight. Final votes on the spending package are expected as early as today (Dec. 21) to approve it and clear it for Trump’s signature.

This is a developing story…

Downtown Music Publishing Acquires Neil Thrasher Catalog (Exclusive)

Downtown Music Publishing announced today (Dec. 21) the acquisition of works from the catalog of hit country songwriter Neil Thrasher.

The deal covers many hits penned by the award-winning songwriter, including several recorded by Jason Aldean, such as “Tattoos on This Town,” “Fly Over States,” “Night Train” and “Rearview Town;” and multiple Rascal Flatts singles like “Fast Cars And Freedom,” “Why Wait” and “Banjo,” as well as Randy Houser’s “How Country Feels,” Kenny Chesney’s “There Goes My Life” and many others.

Thrasher began his music career as part of the duo Thrasher Shiver, alongside Kelly Shiver, releasing a self-titled studio album for Asylum Records in 1996. After establishing himself as a recording artist, he eventually shifted his focus to songwriting for other artists. He was named Songwriter of the Year at the ASCAP 2004 Country Music Awards for “There Goes My Life” and other hit singles, and also won ASCAP Country Music Song of the Year for “How Country Feels” in 2013. “How Country Feels,” “There Goes My Life,” “Tattoos on this Town,” “Fly Over States” and “Night Train” are among Thrasher’s many RIAA Platinum-certified singles.

The news follows that of several other recent Downtown acquisitions, including music from the catalogs of Motown icon William “Mickey” Stevenson and accomplished songwriter Chris Braide (Beyoncé, Britney Spears, Christina Aguilera, Halsey, Lana Del Rey, Selena Gomez, Sia), over 350 works from its purchase of independent music publisher Good Soldier Songs and the publishing catalog of The 1975, over 10,000 song copyrights from famed European publisher Strictly Confidential as well as nearly 700 works from the U.K.-based Salli Isaak Songs Limited and Salli Isaak Music Publishing Limited.

ASCAP, BMI Collaborate On New Comprehensive Data Resource Songview

ASCAP and BMI have teamed up to launch a comprehensive new data platform, Songview, that provides music users with a resource on copyright ownership and administration shares in the U.S. The new collaboration provides detailed copyright information on more than 20 million songs, including reconciled ownership shares, offering greater transparency for the industry.

Songview technology allows ASCAP and BMI to seamlessly display an agreed-upon view of detailed, aggregated and reconciled ownership data for performing rights in their combined repertoires, including a breakdown of shares by ASCAP and BMI. The information is accessible and free to the public on both ASCAP’s and BMI’s websites. Additional information featured includes songwriters and their affiliations, publishers, performers, alternate song titles, ISWC and IPI codes, BMI and ASCAP song IDs (if applicable), and publisher contact information. Reconciled songs appear with a green checkmark to indicate that ASCAP and BMI agree on the information and have the same data in each of their respective systems.

The information is accessible, free to the public, on both ASCAP’s and BMI’s websites.

“This project is all about providing greater transparency for everyone who relies on this copyright data to guide important business decisions,” said ASCAP CEO Elizabeth Matthews.”When you see the Songview checkmark, you know that the data is consistent in both ASCAP and BMI’s copyright systems. Drawing upon our 185 years of combined ASCAP and BMI expertise in managing complex and dynamic copyright data, we have built a convenient new digital tool for anyone who licenses music. This release is our first iteration of Songview, and we are committed to enhancing this new platform as our industry evolves.”

BMI President and CEO Mike O’Neill added: “When two companies that are fierce competitors come together on a project this ambitious to address a need identified by the marketplace, it says a lot about how important greater data transparency is to both of our organizations. Today’s launch is a good first step in the ongoing evolution of transparent and accessible data, and I am pleased with what we have accomplished so far to meet the evolving needs of the music industry.  I look forward to continuing to expand on the possibilities of Songview in the future.”