Martin Bandier To Be Honored By The Recording Academy

Martin Bandier

Martin Bandier


Clive Davis and The Recording Academy will present the annual Pre-Grammy Gala on Saturday, Feb. 7,  2015 at The Beverly Hilton in Beverly Hills, Calif. The invitation-only event will be held the evening before the 57th Annual Grammy Awards.
As part of the celebration, the 2015 Grammy Salute To Industry Icons will honor Sony/ATV Music Publishing Chairman and CEO Martin Bandier. The Recording Academy will present Bandier with the President’s Merit Award in recognition of his significant contributions to the music industry and his numerous philanthropic endeavors. Past recipients include Herb Alpert and Jerry Moss, Sir Richard Branson, Clive Davis, Ahmet Ertegun, David Geffen, Berry Gordy, Lucian Grainge, Doug Morris, Mo Ostin, and Antonio “L.A.” Reid.
Bandier has served as chairman and CEO of Sony/ATV Music Publishing since 2007. In November 2011, he was instrumental in negotiating the acquisition of EMI Music Publishing by Sony Corporation of America and an investor group, for which Sony/ATV administers the EMI catalog. The acquisition was a professional and personal milestone, as Bandier previously ran EMI Music Publishing for more than 17 years.
Bandier’s many civic and industry commitments include work with City of Hope, ASCAP, the Songwriters Hall of Fame, the National Music Publishers Association, the T.J. Martell Foundation and the MusiCares Foundation. He was also inducted into the Songwriters Hall of Fame as the Patron of the Arts Award recipient.

ole Hosts Fiesta, CMA Viewing Party

ole Fiesta 2014 2

Pictured (L-R): Gilles Godard, ole VP of Business Development; Tim Nichols, THiS Music Publishing Songwriter/Partner; Rusty Gaston, THiS Music Publishing GM/Partner; and Jody Williams, BMI VP of Writer/Publisher Relations in Nashville


The 3rd Annual ole Fiesta took place last week at the publishing company’s Nashville office. The event on Thurs., Nov. 6, the day after the CMA Awards, served as an opportunity for executives on Music Row to come together for lunch during the hectic awards week.
 Ben Strain, ole Creative Director; Gilles Godard, ole VP of Business Development; Jody Williams, BMI VP of Writer/Publisher Relations in Nashville; Josh Dorr, an ole songwriter and RCA artist; and John Ozier, ole GM of Creative in Nashville.

Pictured (L-R): Ben Strain, ole Creative Director; Gilles Godard, ole VP of Business Development; Jody Williams, BMI VP of Writer/Publisher Relations in Nashville; Josh Dorr, ole songwriter and RCA artist; and John Ozier, ole GM of Creative in Nashville


ole also hosted a lively CMA Awards viewing party, packing the house at One at Cannery Row. The Canada-based company is celebrating its 10th anniversary this year, which it marked on Oct. 24, with a star-studded, tribute-filled party at the Fermenting Cellar in the historic Distillery District of Toronto.
Pictured (L-R): Jeremy Stover, Robert Ott, Jordan Rager, John Ozier, Gilles Godard

CMA Awards viewing party in Nashville. Pictured (L-R): Jeremy Stover, Robert Ott, Jordan Rager, John Ozier, Gilles Godard


 

Scooter Carusoe Re-Signs With Carnival Music

carnival music1Songwriter Scooter Carusoe has extended his publishing contract with Carnival Music.
Carusoe co-wrote Brett Eldredge‘s hit song “Mean To Me,” and has co-penned chart-toppers including “Anything But Mine” and “Better As A Memory” (both recorded by Kenny Chesney).
He has also penned several songs for David Nail‘s albums I’m About to Come Alive, The Sound of a Million Dreams, and I’m A Fire, as well songs for Eli Young Band (“Guinevere”), Uncle Kracker (“Blue Skies”), and Casey James (“The Good Life”), among others.
“Writers, songs, and publishers don’t find their way to success by chance,” Carusoe says. “It is a collaborative effort that requires belief on all sides. That’s what I’ve found in my relationship with Carnival. We believe in a common goal, achieved by a unique sound.”
“Scooter is exactly the kind of writer Carnival exists to champion: brilliant, stubborn, and in constant pursuit of a sound that is entirely his own,” says Frank Liddell, Carnival Music Co-founder & Owner. “He’s a favorite writer of mine—I’d listen to him no matter who published his songs. But I couldn’t be prouder that it’s us.”
Born in North Carolina and raised in Knoxville, Tenn., Carusoe lives in Nashville with his wife and two sons.

UMPG Hires Performing Rights Special Advisor

Richard Conlon

Richard Conlon


Universal Music Publishing Group (UMPG) has tapped Richard Conlon to serve as Special Advisor on Performing Rights. Conlon is well versed in the field, having spent more than 20 years with BMI, most recently as Sr. Vice President, Corporate Strategy, Communications & New Media. Conlon will counsel UMPG on matters related to advocating, protecting and maximizing the value of performing rights.
He previously spearheaded BMI’s digital new media licensing divisions and directed global communications efforts. During his tenure with the performing rights organization, he launched both the corporate strategy and digital business units, licensing the rights to more than 8.5 million musical works and generating hundreds of millions of dollars in revenue. Conlon also managed negotiations with digital properties ranging from YouTube to Spotify and Pandora. Under his management, licensed properties grew to more than 10,000 sites and digital income consistently drove corporate revenue growth.
In the new role, he will report to Michael J. Sammis, UMPG EVP Operations and CFO, and David Kokakis, SVP/Head of Business & Legal Affairs and Business Development. Sammis said, “It is, indeed, an interesting time in the evolution of the performing rights business and Richard’s expertise in developing systems and strategy will be extremely valuable towards maximizing the value of performing rights for UMPG and its songwriters.”

Round Hill Music Acquires Big Loud Shirt Industries Song Catalog

round hill music1Round Hill Music has acquired Big Loud Shirt Industries’ song catalog. The companies will form a joint venture.
The Big Loud catalog contains 32 hit songs by writers including Rodney Clawson, Chris Tompkins, Joey Moi, Matt Dragstrem, Chris Lane, Sarah Buxton, Tyler Hubbard, Brian Kelley, Cory Battan, Deanna Bryant, Tyler Hayes, Mike Reid, Jenn Schott, Nicole Witt, and Big Loud founder Craig Wiseman.
The catalog includes such songs as Tim McGraw’s “Live Like You Were Dying”; Carrie Underwood’s “Before He Cheats” and “Blown Away” as well as George Strait’s “I Saw God Today.”
The deal also includes an alignment with Big Loud Bucks administration and Information, the music admin arm of Big Loud Shirt. Wiseman and his team will also work with Round Hill Music going forward.
big loud shirt111The deal follows the recent Round Hill Music acquisition of the catalog of Roots 49, including songs from Danny Myrick. Earlier this year, Round Hill Music acquired Big Tractor’s catalog.
“Craig has nurtured this amazing culture at Big Loud Shirts, which is based on family and creative freedom,” Round Hill Music president Neil Gillis said in a statement. “It is this culture that has helped generated the unprecedented success the company has attained.”
Big Loud Shirt founder Wiseman says he was impressed with how the Round Hill Music team has “a serious passion for creating a modern music company.” He added, he is “happy to be independent with our new Round Hill partners.”

Taylor Swift Re-Signs With BMI

Taylor Swift.

Taylor Swift.


Taylor Swift has re-signed with Broadcast Music, Inc. (BMI) for representation of the public performances of her music catalog. Swift joined BMI in 2004, at the age of 14, and released her first album for Big Machine Label Group at age 16.
She has earned 21 BMI Country Awards, as well as nine BMI Pop Awards, including Songwriter of the Year in 2010, and BMI’s President’s Award, which honored her achievements in songwriting. She is the youngest recipient of a Grammy award for Album of the Year (for her album Fearless). Swift’s recently released fifth album, 1989, is the first platinum album of 2014, and is the first album to garner more than 1 million in first-week sales since Swift’s own RED album in 2012. Her 2010 project, Speak Now, also moved more than 1 million copies in its first week, making her the only artist to achieve the feat three times.
“Beyond her stellar career achievements, Taylor has a unique and extraordinary connection with her fans. Through her songwriting and artistry, she has become a universal friend and has redefined the modern pop star,” said BMI President and CEO Mike O’Neill. “We are honored that Taylor has chosen to continue her relationship and partnership with BMI, and we are excited to continue to represent her diverse and groundbreaking catalog of music.”
BMI Vice President of Writer/Publisher Relations Jody Williams said, “Taylor’s passion and innate ability for songwriting is remarkable. A true storyteller with wisdom and heart, the immense appeal of her music crosses genres and spans the globe. BMI is incredibly proud to have supported Taylor since the early days of her career. We look forward to working with her exceptional team, SONY/ATV and Troy Tomlinson, CEO and President of SONY/ATV Publishing Nashville.”

Disney Music Publishing Signs Steven McMorran

    Pictured (L-R): Patrick Clifford, VP Music Publishing and A&R Nashville, Disney Music Publishing; Penny Gattis, Writer/Publisher Relations, BMI; Steven McMorran, writer; Emily Peacock, Coordinator, AAM; Ciara Gardner, A&R Coordinator, Disney Music Publishing; Leslie DiPiero, Manager, AAM; David Preston Director, Writer/Publisher Relations, BMI.

Pictured (L-R): Patrick Clifford, VP Music Publishing and A&R Nashville, Disney Music Publishing; Penny Gattis, Writer/Publisher Relations, BMI; Steven McMorran, writer; Emily Peacock, Coordinator, AAM; Ciara Gardner, A&R Coordinator, Disney Music Publishing; Leslie DiPiero, Manager, AAM; David Preston Director, Writer/Publisher Relations, BMI.


Disney Music Publishing has signed songwriter Steven McMorran, who has had cuts in multiple genres, including Tim McGraw‘s “Still On The Line” and Celine Dion‘s “This Time.” McMorran has also had cuts for Joe Cocker and Michael Bolton.
On Disney’s newest writer in Nashville, Mio Vukovic (Senior Vice President, A & R / Head of Creative; Disney Music Group) says, “Steven is such an immense talent and we are so excited to now be part of his developing career.”
McMorran’s writing career went into overdrive after Dion included “This Time” on her 2007 album Taking Chances. In 2009, Bolton recorded “What You’re Doing To Me” on his project One World One Love. McMorran has also released an EP in 2010 and and LP in 2013 on Sony Music’s Descendant Records.

Bobby Karl Works The BMI Country Awards

BOBBY KARL WORKS THE ROOM
Chapter 474
BMI Winners
BMI Icon: Vince Gill
Songwriter of the Year: Rhett Akins
Publisher of the Year: Sony-ATV
Song of the Year: “Wagon Wheel”

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams; Song of the Year award scribe Ketch Secor; Sony/ATV Music Publishing Co-President Danny Strick; Sony/ATV Music Publishing  Nashville President and CEO Troy Tomlinson; Sony/ATV Music Publishing Chairman & CEO Martin Bandier; BMI Icon recipient Vince Gill; Songwriter of the Year winner Rhett Akins; BMI President & CEO Mike O' Neill; and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams; Song of the Year award scribe Ketch Secor; Sony/ATV Music Publishing Co-President Danny Strick; Sony/ATV Music Publishing  Nashville President and CEO Troy Tomlinson; Sony/ATV Music Publishing Chairman & CEO Martin Bandier; BMI Icon recipient Vince Gill; Songwriter of the Year winner Rhett Akins; BMI President & CEO Mike O’ Neill; and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley


This year’s 62nd BMI country awards banquet was an evening-long lovefest for BMI Icon honoree Vince Gill.
The widely beloved songwriter, singer, instrumentalist, humanitarian and all-around great guy was saluted by video segments that repeatedly paused the procession of songwriters and publishers. In the middle of the gala, standing ovations greeted tribute performances by Ashley Monroe (“Whenever You Come Around”), Keith Urban (“I Still Believe in You”), Michael McDonald (“When I Call Your Name”) and a band rave-up (“Little Liza Jane”) with Keith, Ashley, John Hobbs, Paul Franklin and more.
Rhett Akins (second from right) accepts the award for Songwriter of the Year with BMI Assistant Vice President, Writer/Publisher Relations, Clay Bradley, BMI President and CEO Mike O'Neill, and BMI Vice President, Writer/Publisher Relations, Jody Williams onstage at the BMI 2014 Country Awards at BMI on November 4, 2014 in Nashville, Tennessee. Photo:  Rick Diamond/Getty Images for BMI

Rhett Akins (second from right) accepts the award for Songwriter of the Year with BMI Assistant Vice President, Writer/Publisher Relations, Clay Bradley, BMI President and CEO Mike O’Neill, and BMI Vice President, Writer/Publisher Relations, Jody Williams onstage at the BMI 2014 Country Awards at BMI on November 4, 2014 in Nashville, Tennessee. Photo: Rick Diamond/Getty Images for BMI


Even Songwriter of the Year winner Rhett Akins gave a shout-out: “Vince, I’m asking you in front of this whole town, will you write songs with me?”
The Publisher of the Year was Sony/ATV. This was the company’s 13th consecutive win and its 38th win throughout BMI history. It published 28 of the night’s 50 most-performed BMI songs.
The Song of the Year winner was “Wagon Wheel,” written by Old Crow Medicine Show’s Ketch Secor based on a song fragment by SESAC affiliate Bob Dylan. Singer and Secor’s fellow Opry star Darius Rucker joined the happy tunesmith on the BMI stage.
Vince Gill is honored as a BMI Icon. Photo: Rick Diamond/Getty Images

Vince Gill is honored as a BMI Icon. Photo: Rick Diamond/Getty Images


Unlike the other performance-rights banquets, BMI attracts dozens of fans. They gather across the street to cheer the red-carpet arrivals of the awesome number of celebrities who attend this annual fiesta. Let’s try this alphabetically – Gary Allan, Deborah Allen, Bill Anderson, Rodney Atkins, Frankie Ballard, The Band Perry, Lee Brice, Kix Brooks, Marty Brown, Luke Bryan, Billy Burnette, Kristian Bush, Sam Bush, Eric Church, Easton Corbin, Dean Dillon.
There was no one representing the letter “E” (this year), but the parade continued with Florida Georgia Line, Larry Gatlin, Brantley Gilbert, Gill, Gloriana’s Rachel Reinert, Amy Grant, Hunter Hayes, Faith Hill, J.T. Hodges, Randy Houser and new Valory signee Levi Hummon. No letter “I.” Brett James, Nicole Kidman, Miranda Lambert, Scotty McCreery, Del McCoury, McDonald, Tim McGraw, Shane Minor, Monroe, Justin Moore, Kip Moore, Kacey Musgraves.
Ashley Monroe performs ?? in tribute to Vince Gill. Photo: John Russell/BMI

Ashley Monroe performs “Whenever You Come Around” in tribute to Vince Gill. Photo: John Russell/BMI


Nashville TV stars Chip Esten, Sam Palladio and Chaly Rose mingled with John Oates, Old Crow’s Secor, Jake Owen, Randy Owen, Lee Roy Parnell, Angaleena Presley and Eric Paslay, plus Rascal Flatts members Jay DeMarcus and Joe Don Rooney, Thomas Rhett, Rucker, Thom Schuyler, Blake Shelton, Jeffrey Steele, Natalie Stovall, Cole Swindell, Thompson Square, Josh Turner, Urban, Laura Veltz, Clay Walker, The Warren Brothers, Lari White, Holly Williams, Charlie Worsham and Chris Young. Sorry, no “X” or “Z.”
The youngest performer attendee was 10-year-old singing sensation Emi Sunshine, who greeted well wishers in satin. Sandi Spika Borchetta led the red-carpet fashion statements in a skin-tight top and stretch pants with a wide belt, sky-high-heeled boots and a cropped faux-fur jacket with sparkly sleeves. Kimberly Perry was a knockout in a strapless floor-length black gown that flared below the hips into a huge white floral pattern. Nicole Kidman’s black gown was a mini in front and calf-length in back with a high collar, capped sleeves and floral appliques on the bodice. Her red droplet earrings perfectly matched her lipstick.
Pictured (L-R0: Vince Gill, Amy Grant, Keith Urban, and Nicole Kidman. Photo: Rick Diamond/Getty Images for BMI

Pictured (L-R): Vince Gill, Amy Grant, Keith Urban, and Nicole Kidman. Photo: Rick Diamond/Getty Images for BMI


Trey Fanjoy wore a sequined evening coat over a pewter-toned blouse. Leslie Tomasino DiPiero was sentimentally wearing a scarf that used to belong to BMI’s late, great Frances Preston over her black, Grecian-cut crepe dress. Diane Pearson rocked an ice blue, flared, knee-length peau de soie dress and matching boots. Nicolle Galyon was in draped white chiffon with shoulder cascades. Sylvia Roberts was groovy in black, thigh-high boots with cut-outs, a sequined mesh top over a shift and an overblouse with feathered cuffs. Kacey Musgraves glowed and flowed in a diaphanous peach-toned, layered, floor-length gown. Lori Badgett chose a silver-sequined sheath.
“Welcome to our house,” said BMI’s Jody Williams. “You all look beautiful. This room looks beautiful.”
The BMI parking garage was disguised with creative lighting, mirrored columns, chandeliers, glass globes holding blooms and chains of greenery. Votive-holding candelabra centerpieces entwined with flowers and vines embellished the tables.
BMI 2014 Country Awards

Ketch Secor, Darius Rucker and their creative team accept the award for Song of the Year for the song “Wagon Wheel” at the BMI 2014 Country Awards. Photo: John Russell/BMI


“Look at this room!” said BMI CEO Michael O’Neill. “Best parking lot in Nashville!”
“This is the Big Time, and you have arrived,” boasted BMI’s Clay Bradley. “Nashville is diverse, dominant and brilliant, and it’s all because of you.”
Dressed for success were Bobby Pinson in a vivid red jacket, Angelo sporting a wide-brimmed chapeau and Brett James in zipped-up black leather. Rusty Gaston accented his black-on-black look with a white bow tie and pocket handkerchief. Jeffrey Steele was classy in a short, black, western-cut jacket with silver-swoosh darts over a bright blue shirt.
BMI Icon honoree Vince Gill, songwriter Ketch Secor, and Songwriter of the Year winner Rhett Akins. Photo:  John Russell/BMI

BMI Icon honoree Vince Gill, songwriter Ketch Secor, and Songwriter of the Year winner Rhett Akins. Photo: John Russell/BMI


Top honoree Vince Gill was wearing a black cardigan sweater. O’Neill said that listening to Gill was what converted him into being a country fan. Chris Young’s first concert was Vince Gill at Starwood. Charlie Worsham proclaimed Vince his hero and biggest influence.
“You’re a singer’s singer,” said Keith Urban to the Icon. “You’re a guitar player’s guitar player. You’re a songwriter’s songwriter.”
“There are dozens of examples of his generosity that never make the news,” related Jody Williams. “If that’s not an Icon, I don’t know what is.”
“I can’t think of anyone who holds the respect of this town more,” commented Michael McDonald.
Pictured (L-R): Miranda Lambert and Blake Shelton at the BMI Country Awards. Photo by Rick Diamond/Getty Images for BMI

Pictured (L-R): Miranda Lambert and Blake Shelton at the BMI Country Awards. Photo by Rick Diamond/Getty Images for BMI


“In every sense of the word, Vince Gill embodies what it means to be a BMI Icon,” added O’Neill. He cited the superstar’s 27 BMI songwriting awards, 24 “Million-Air” songs, 20 Grammy Awards, 18 CMA statuettes, five consecutive CMA Male Vocalist wins, Opry membership, Country Music Hall of Fame and Nashville Songwriters Hall of Fame inductions, a star on the Hollywood Walk of Fame and 26 million in record sales.
“I’d give all this up if I had to lose so many great friendships,” responded Vince. “That’s been the greatest gift of all.”
Songwriter of the Year Rhett Akins also cited his many songwriting friends/collaborators, including son Thomas Rhett, as well as his brothers. They were his first co-writers, “sitting in my room in Valdosta, playing my guitar….This is like as far away [from that as] from Earth is to Jupiter,” Rhett said. “You could never dream of doing this.
Rodney Clawson (L) and Nicolle Galyon attend the BMI 2014 Country Awards. Photo: John Russell/BMI

Rodney Clawson and Nicolle Galyon attend the BMI 2014 Country Awards. Photo: John Russell/BMI


“Last year, I sat out there and won zero awards. This year, I won seven. There’s only 50 of these given out every year….To all you songwriters who didn’t win tonight, write your butts off. You never know what could happen.” His seven winners were “Point at You” (Justin Moore), “Parking Lot Party” (Lee Brice), “Boys ‘Round Here” (Blake Shelton), “I Can Take it From There” (Chris Young), “Hey Girl” (Billy Currington), “It Goes Like This” (Thomas Rhett) and “When She Says Baby” (Jason Aldean).
Taking it all in were Tony Brown, Tony Conway, John Lytle, John Ingrassia, Joe Galante, Joey Moi, Even Stevens, Steve & Ree Guyer-Buchanan, Steve Lowery, Kay West, Wes Vause, Will Rambeaux, Bill Denny, Billy Falcon, Rose Falcon, Chuck Cannon, Carson Chamberlain, Luke Laird, Dallas Davidson, Scott Stem, Fred Foster, Frank Rogers, Ken Levitan, Kevin Neal, Kerry O’Neill and Larry McCormack.
Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams, Reid Perry, Kimberly Perry, BMI President and CEO Mike O'Neill, Neil Perry, and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley. Photo: John Russell/BMI

Pictured (L-R): BMI Vice President, Writer/Publisher Relations Jody Williams, Reid Perry, Kimberly Perry, BMI President and CEO Mike O’Neill, Neil Perry, and BMI Assistant Vice President, Writer/Publisher Relations Clay Bradley. Photo: John Russell/BMI


We dined on stuffed shrimp, beef tenderloin with gravy, au gratin potatoes, asparagus and cherry tomatoes. All was tasty to such industry mavens as Recording Academy national execs Neil Portnow and Nancy Shapiro, the NMPA’s David Israelite, music-biz Washington insider Jim Free and Music Row’s Byron & Missy Gallimore, Jewel Coburn & Jason Morris, David & Karen Conrad, Marion Kraft, Rose Drake, Mark Wright, Blake Chancey, Larry Fitzgerald, B.J. Hill, Jordan Powell, Scott Borchetta and Tracy Gershon.
It was a good night for female tunesmiths. In addition to Kacey, Miranda, Nicolle Galyon, Kimberly Perry and Laura Veltz, the likes of Connie Harrington, Sarah Buxton and Lori McKenna picked up awards. So did Rodney Clawson, Lee Thomas Miller, Paul Jenkins and dozens more. Heritage songwriters in attendance included Dennis Morgan, Bob DiPiero, Gerry House, Hugh Prestwood, Rory Bourke and Roger Murrah.
Once again, the great Harold Bradley led his A-Team band to entertain one and all during dessert in the BMI lobby.
Tyler Hubbard of Florida Georgia Line, singer-songwriter Thomas Rhett, and Brian Kelley of Florida Georgia Line attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Tyler Hubbard of Florida Georgia Line, singer-songwriter Thomas Rhett, and Brian Kelley of Florida Georgia Line attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI


Brett Eldredge and Jana Kramer attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Brett Eldredge and Jana Kramer attend the BMI 2014 Country Awards. Photo: Rick Diamond/Getty Images for BMI

Bobby Karl Works The ASCAP Country Awards

BOBBY KARL WORKS THE ROOM
 Chapter 473

Pictured (L-R): Song of the Year co-writer Ben Hayslip, Songwriter of the Year Ashley Gorley and Song of the Year co-writer Jimmy Robbins. Photo: Ed Rode

Pictured (L-R): Song of the Year co-writer Ben Hayslip, Songwriter of the Year Ashley Gorley and Song of the Year co-writer Jimmy Robbins. Photo: Ed Rode


ASCAP is celebrating its 100th anniversary this year, and appropriately, its 2014 country awards banquet looked backward as well as forward.
The performance-rights society honored superstar Alan Jackson with a Heritage Award recognizing him as its top country songwriter-artist of the past century. “From his dearest friends to his millions of fans, he is…The Real Deal,” said presenter Connie Bradley.
“I’m just a singer of simple songs,” responded the ever-humble Alan. “I just came here to sing country music. I’ve had so much help along the way. I’m just overwhelmed by all of this.” He thanked his steadfast wife, author Denise Jackson, and added, “I’m just an ol’ country boy who’s had a lot of blessin.’”
Chris Oglesby saluted Craig Wiseman with a Heritage Award as ASCAP’s top country songwriter of its first 100 years. “His lyrics connected with fans,” said Chris. “He writes what he knows…and hits America right in the heart.”
“Oh my God,” Craig stammered as he began to weep in acceptance. “Everybody I’ve ever written a song with in this room, please stand.” Dozens did. “I don’t know what to say. God bless Nashville, Tennessee.” He recalled coming to Music City in 1985, living in his van and grabbing free showers at the KOA Campground near Opryland. “God is great. Nashville is great. You guys are great. I am honored beyond words.”
ASCAP Heritage Award Honoree Alan Jackson. Photo: Ed Rode

ASCAP Heritage Award Honoree Alan Jackson. Photo: Ed Rode


“Bro country” ruled ASCAP’s contemporary awards. The Thomas Rhett hit “It Goes Like This” won Song of the Year for co-writers Jimmy Robbins and Ben Hayslip. With nine No. 1 songs in the year, Ashley Gorley was named Songwriter of the Year.
“Nashville is just an awesome town,” said Ashley. “It’s one big friendship.”
Publisher of the Year Warner-Chappell Music has both a distinguished history as a heritage firm as well as loads of contemporary country activity. No foolin’ — the company garnered 19 citations during the banquet. ASCAP CEO John LoFrumento presented its award.
The banquet took place Monday evening (11/3) in the Music City Center’s grand ballroom. Star gazing was abundant – Dierks Bentley, David Nail, Kip Moore, Brett Eldredge, Brandy Clark, Eric Paslay, Chris Young (“double dipping” this year as an awardee at both ASCAP and BMI), Billy Currington, Charles Kelley & Dave Haywood of Lady Antebellum, Keith Urban and Jerrod Niemann all mingled at the soiree. Lynn Anderson was on the arm of songwriter Mentor Williams.
Past and present record makers Radney Foster, Jim Photoglo, Blackstone Cherry, Fred Knobloch, Lane Brody, Monty Holmes, David Lee Murphy, Phil Vassar, Rhett Akins, new Nashville Songwriters Hall of Fame inductee Gretchen Peters, Desmond Child, Neil Thrasher, Richard Young of The Kentucky HeadHunters, Brett James and Jason Sellers also worked the room. Lee Ann Womack began the awards ceremony by performing the gorgeous acoustic gem “Send It On Down.”
In a nice touch, up-and-coming artists introduced the five top ASCAP country songs of the year. Maddie & Tae did the honors for “Don’t Ya.” The Cadillac Three set up “Crash My Party.” John King introduced “Runnin’ Outta Moonlight.” The Swon Brothers talked up “Friday Night.” Sam Hunt was the guest presenter for the Song of the Year winner “It Goes Like This.” Each of the five was performed by its writer or writers.
Pictured (L-R): ASCAP's Michael Martin, Song of the Year co-writer Ben Hayslip, Songwriter of the Year Ashley Gorley, Song of the Year co-writer Jimmy Robbins, ASCAP Heritage Award Honoree Craig Wiseman, Publisher of the Year Warner/Chappell Music Publishing's Ben Vaughn and Jon Platt, and ASCAP's LeAnn Phelan. Photo: Ed Rode

Pictured (L-R): ASCAP’s Michael Martin, Song of the Year co-writer Ben Hayslip, Songwriter of the Year Ashley Gorley, Song of the Year co-writer Jimmy Robbins, ASCAP Heritage Award Honoree Craig Wiseman, Publisher of the Year Warner/Chappell Music Publishing’s Ben Vaughn and Jon Platt, and ASCAP’s LeAnn Phelan. Photo: Ed Rode


ASCAP President Paul Williams opened the ceremony. “I love Nashville,” he said. “I come full circle in this town….ASCAP is home to country music’s greatest songwriters and publishers.” This was its 52nd country-awards ceremony. Our own Vincent Candilora presented ASCAP’s Partners in Music award to Mike Grimes and Dave Brown of the Nashville alt-nightspot The Basement.
Various other ASCAP execs also presented. Most of the honors were passed out by the Nashville office’s gracious leaders, LeAnn Phelan and Michael Martin. We love them.
The fabulons gathered at a pre-awards cocktail hour, where they were served barbeque chicken salad in cornbread boats, bacon fried shrimp and filo pastry stuffed with brie and walnuts. Pat Alger, Patrick Clifford, Mike Dungan, Mike Hollandsworth, Mike Dekle, Michael Knox, Doug Casmus, Doug Johnson, Doug & Linda Edell Howard, Dave Berg, David Crow, David Corlew, Mark Brown, Mark Ford, Mark Irwin, Mark D. Sanders, Ed Morris, Eddie Bayers, Dale Bobo, Dale Dodson, Chris DuBois, Chris Tompkins, Chris Farren, Chris DeStefano, Josh Kear, Josh Osborne, John Ozier, Jon Nite, John Huie and John Titta were stirred in the mix.
Dinner began with spring greens, sun-dried tomatoes, golden raisins and candied pecans salad. The main course was beef tenderloin medallion with crab cake, French green beans, slivered squash and fingerling potatoes. Chess pie plus berries and whipped cream were served for dessert.
Norbert Nix, Maurice Miner and Dallas Davidson dined alongside Dwight Wiles & Diana Johnson, Bud & Janice Wendell, Ralph Peer, Pete Fisher, Darrell Brown, Shelby Kennedy, Wayland Holyfield and Frank Liddell.
As usual, ASCAP was a fashion parade. Did somebody send out a memo about black lace? Celia Froehlig, Cyndi Hoelzle, Alicia Warwick and Becky Harris all wore it, with the last-named looking especially groovy with her leopard-print high heels and matching-patterned pendant. Brittany A. Shaffer turned heads in a blue-sequined sheath. Jessi Alexander was very pretty in a flowing red, floral, floor-length “hippie” gown, accessorized by her handsome hubby Jon Randall Stewart.
Ben Vaughn’s electric-blue cravat stood out on his black-on-black outfit. Craig Wiseman wore a dapper tan jacket over his customary Hawaiian shirt. Butch Baker swapped his usual vintage brocade tux jacket for a textured gray suit. “I’m starting the bolo-tie movement,” he proclaimed, promising that he’d lined up several gents to emulate his neckwear at the BMI banquet.
The MCC ballroom where ASCAP was staged is an awesome visual spectacle. Its front, rear, sides and ceiling are all covered in positioned panels of wood, so it feels like you are inside a massive guitar. There are no columns. You don’t need much décor in a breath-taking space like this. Dramatic black tablecloths draped the round tables, with blue hydrangeas and white roses in centerpiece bouquets. The stage was trimmed with floor-to-ceiling white drapes and pierced by red and chartreuse pin spotlights.
Herky Williams, Jim Catino, Ralph Murphy, Allen Shamblin, Allison Brown Jones (in beyond-stiletto gold heels), Andrew Kintz, Tommy Rocco, Tim Nichols, Terry Wakefield, Teresa George, Hank Adam Locklin, Kevin Lamb, Van Tucker, bolo-wearing Julian King, Barry Coburn, Dan Keen, Walter Campbell, Garth Fundis, Kyle Young, Bart Herbison, Debbie Carroll, Kelley Lovelace and Shane McAnally were among the approximately 800 who gazed in wonder.

Nashville Writers Pair With EDM Artists

Pictured (L-R:) Freeman Wizer (Sea Gayle), Danny D’Brito (Brass Knuckles), Ingrid Andress (Sea Gayle writer), AJ Burton (Nettwerk/Revelry), Anthony Pisano (Brass Knuckles), Mike Fiorentino (Nettwerk/Revelry writer), Evyn Mustoe (ASCAP), Joseph Pepin (Complete Control Mgmt), Tony Livadas (Brass Knuckles) and Chris Van Belkom (Combustion)

Pictured (L-R:) Freeman Wizer (Sea Gayle), Danny D’Brito (Brass Knuckles), Ingrid Andress (Sea Gayle writer), AJ Burton (Nettwerk/Revelry), Anthony Pisano (Brass Knuckles), Mike Fiorentino (Nettwerk/Revelry writer), Evyn Mustoe (ASCAP), Joseph Pepin (Complete Control Mgmt), Tony Livadas (Brass Knuckles) and Chris Van Belkom (Combustion)


Nettwerk One Music/Revelry Music, Combustion Music, Sea Gayle Music and Complete Control Management recently came together to host a two-day writing camp combining Nashville writers: NW1/Revelry clients Neil Mason, Mike Fiorentino and Tammi Kidd Hutton, Combustion client Luke Foley, and Sea Gayle clients Bryan Simpson and Ingrid Andress with two EDM artists: Tritonal and Brass Knuckles.
Nettwerk’s AJ Burton says, “The idea of organizing an outside-the-box writing camp in Nashville intrigued me and my colleague Melissa Emert-Hutner, and after discussing the idea with our friends at Combustion, Sea Gayle and Complete Control Management, we decided to give it a shot. Combining forces between two thriving genres and pushing the limits and EDM artists’ ability to feature various artists on their records, it just made sense to us.”
Complete Control Management’s head of A&R Joseph Pepin says, “I’ve toyed around with the idea of sending dance acts from Complete Control’s roster to Nashville for a while now. When I began discussing the idea with my friends over at Nettwerk, Combustion and Sea Gayle, I found that they shared an equal amount of excitement for the idea, so we moved forward with it. I’ve always had the utmost respect for the songwriting that takes place in Nashville and the ability that the writers in this city have to tell a story in a unique way. I think it is safe to say that we are all really happy with the results of the camp, and we hope to have more outside the box collaborations of this type in the near future.”