Signings And Such (2/28)

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>>Songwriter/producer Joey Moi has signed a publishing deal with Big Loud Shirt Industries. The Vancouver, BC native has garnered success working with rock acts Hinder, Daughtry, My Darkest Days, Theory Of A Deadman, Default, Santana and most notably, Nickelback, including the current album, Dark Horse, which was co-produced with Mutt Lange. Most recently, Moi has produced RCA Nashville’s Jake Owen and 604 Records/Universal Canada’s Dallas Smith. Moi’s notable hits include Tim McGraw’s, “It’s A Business Doing Pleasure With You”, Daughtry’s “No Surprise” & “Life After You”, and the #1 hit “Porn Star Dancing” by My Darkest Days featuring Ludacris and Zakk Wylde. Moi co-owns Mountain View Records & Mountain View Studios in Vancouver, BC with Chad Kroeger (Nickelback).

(L-R) Seth England, Joey Moi, Craig Wiseman & Kevin ‘Chief’ Zaruk. Photo: Amy Allmand

>>Savannah Music Group has signed Jack Williams. Williams has had a multitude of hits with both country and rock artists. His first cut was by Richie Havens in 1971. He has lived in Atlanta, Nashville, Seattle, St. Augustine Florida and has now returned to Nashville. Rock band Two Choices is about to release a single in the UK and US written by Williams and Travis Meadows called “My Side Of The Street.”

Collins Beefs UP Skyville West Promotion

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Dave Collins


Skyville Records announces that Dave Collins will join its promotion team to serve as Director of Promotion in the West. Collins, who has over 22 years of experience was previously part of NineNorth Promotion.
“Dave is a tenacious promotion man who has shown he has what it takes to compete in the west,” shares Kevin Herring, President Skyville Records. “His history with Stealing Angels and his passion for them and their music makes Skyville the perfect place for him!”
Collins spent time at KMLE/Phoenix, KWNR/Las Vegas, and KBUL/Reno. Also he previously worked with Herring as part of the Carolwood Records team, an imprint that was part of Disney’s now defunct Lyric Street Records, headed by Randy Goodman.
“I feel beyond blessed to have had the fortune of working with so many superb people and professionals in my career,” says Collins. “Larry Pareigis and Tom Moran have been nothing short of wonderful to work for and with, and now to be reunited with Kevin Herring… blessed is the word that keeps coming to mind.” Collins can be reached at (480) 759-0329  or  [email protected].

CRS Preview: Schedule Highlights

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Country Radio Seminar officially opens Wednesday, March 2, in downtown Nashville, but related events are getting started even earlier. CRS 2011 runs March 2-4 at the Nashville Convention Center. Here’s a quick look at the week’s itinerary:
Tuesday, March 1
MusicRow’s invitation-only CRS Meet & Greet and Country Breakout Awards, featuring performances by Colt Ford and Joanna Smith. The fun is 2:30-5 PM at Cadillac Ranch.
The Country Radio Hall of Fame induction ceremony and dinner will honor inductees Dale Carter, Barry Kent and Lee Rogers (On-Air Personality), and Charlie Cook, Dene Hallam and Bill Payne (Radio). The Judds will receive the 2011 Career Achievement Award and Joe Galante will receive the President’s Award. Sold out.
Wednesday, March 2
Carrie Underwood officially opens CRS 2011 with a performance of the national anthem, followed by the keynote address from Scripps Networks CEO Ken Lowe. Wednesday’s key panels include a session on digital media, on-air interviews, and the “Show Me the Money” panel about music biz economics.
Wednesday’s performances include the UMG luncheon at the Ryman Auditorium, with Gary Allan, Laura Bell Bundy, Hayes Carll, Coldwater Jane, Easton Corbin, Billy Currington, Dani Flowers, Vince Gill, Mallary Hope, Jamey Johnson, Josh Kelley, Randy Montana, Kip Moore, David Nail, Randy Rogers Band, Ashton Shepherd, Canaan Smith, Sugarland, Josh Turner, Lee Ann Womack and special surprise guests. Wednesday afternoon will be the KCRS Live! songwriter showcase featuring Aaron Lewis, LoCash Cowboys, Rivers Rutherford and Jeffrey Steele. Wednesday night Blake Shelton headlines the Music City Jam™.
Thursday, March 3
A sample of Thursday’s panels include: 90 Executable Ideas in 50 Minutes, From the Mouths of the Consumer (focus group), and the CRB/CMA research presentation about new media usage by country music consumers and industry professionals.
Performance events include the Sony Music Nashville luncheon featuring Ronnie Dunn and Joanna Smith. Then Dallas Davidson, Jerrod Niemann and Whitey Shafer headline the WCRS Live! songwriter showcase, and the Broadjam Acoustic Showcase features Mark Croft.
Friday, March 4
Friday offers attendees a variety of panels, including: Leadership Skills and Management Secrets, Video Saved the Radio Star, Concerts: Connect the Dots Between Ratings, Revenue and Promotions, and the popular Town Hall wrap-up panel.
Friday’s musical performances includes Luke Bryan at the Capitol Records Nashville luncheon, followed in the evening by the sold out New Faces of Country Music Show® with The Band Perry, Lee Brice, Jerrod Niemann, Steel Magnolia and Josh Thompson.
The Digital Rodeo “British Invasion” Show closes out CRS 2011 at Cadillac Ranch. Performers include Katie Armiger, Burns and Poe, Sarah Darling, Due West, Ashley Gearing, Josh Gracin, The Harters, Jacob Lyda, One Night Rodeo, Julie Roberts, Adam Tefteller, Tiffany, Bryan White, Mark Wills and more.
A detailed schedule can be viewed at www.CRB.org.

Sean Patrick McGraw Joins Dierks Bentley Tour

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Sean Patrick McGraw will be one of the opening artists on the East Coast version of the Jagermeister Country Tour featuring Dierks Bentley. McGraw’s seven tour dates extend from March 17-27.
Like many overnight success stories, Sean Patrick McGraw has spent the last few years playing upwards of 150 road dates per year, racking up over 80,000 miles on his SUV just last year. “If you grew up where I did,” McGraw recalls, “you were automatically hyphenated either Irish, Polish, or Italian, and your dad worked in the mill, that was a given.” Hailing from a small steel industry town about 50 miles outside of Buffalo, New York, McGraw was raised on Hee-Haw (“We loved Conway Twitty, or at least his haircut”) and rough games of hockey and football.
McGraw traveled to Los Angeles right after high school, but eventually realized that Nashville was where he belonged. A prolific songwriter, he has had publishing deals with Liz Rose Music, Curb Magnatone and others. He also spent a brief few moments on TV talent search show Nashville Star.
California’s third annual Stagecoach Festival unexpectedly opened a career door for McGraw. His performance got strong reviews from the Los Angeles Times and earned him a spot on the 2009 Toby Keith Tour. Since then he signed with Little Engine Records and has released an album titled My So Called Life. Other members of his support team include Grass Roots Promotion, Crowd Surf and Wortman Works Media. Currently his video for “My So Called Life” is getting airplay on gactv.com and cmt.com.

Industry Photos

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Jake Owen In The Studio
RCA Nashville artist Jake Owen is currently in the studio cutting tracks for his third album with producers Joey Moi (Nickelback) and Rodney Clawson (writer of such hits as “I Saw God Today” and “Lost in This Moment”). Owen will be on tour this summer with Keith Urban’s Get Closer 2011 World Tour beginning in June.

(L-R): Sony Music Nashville A&R VP Jim Catino, Promotion Sr. VP Skip Bishop, and Chairman/CEO Gary Overton; Jake Owen; Joey Moi; Rodney Clawson; RCA Nashville Promotion VP Keith Gale and RCA Nashville National Dir. Promotion Norbert Nix.


Chris August Celebrates No. 1
Fervent Records artist and Word Music songwriter Chris August was recently honored at ASCAP Nashville for his No. 1 single “Starry Night.” The song is the only new-artist single of 2010 to score a No. 1 hit at Christian radio. August is also celebrating five Dove Award nominations in the following categories: New Artist Of The Year, Male Vocalist Of The Year, Pop/Contemporary Album Of The Year for his debut album No Far Away, Song Of The Year and Pop/Contemporary Recorded Song Of The Year for “Starry Night.” This marks the Texas native’s first-ever Dove Awards nominations, and with five total, he is the most nominated new artist this year.

(L-R): ASCAP’s Marc Driskill; Word Music Publishing's Chad Green and Chad Segura; Chris August; Word Entertainment’s Rod Riley.


CMT’s Jay Frank Speaks to SOURCE
SOURCE, Nashville’s music industry organization of women executives, held its monthly members’ luncheon February 24 at ASCAP. Jay Frank, CMT’s Sr. VP Music Strategy and author of Future Hit DNA, was the guest speaker sharing information on how the digital revolution affects chart topping hits.

(L-R): Judy Harris, Judy Harris Music; Jay Frank; Lyndie Wenner, MSO PR Nashville; and Sarah Brosmer, Lytle Mgmt. Group.

Three Nashvillians Among "Idol" Finalists

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(L-R): Kendra Chantelle, Paul McDonald, and Ashton Jones


Nashvillians Ashthon Jones, Kendra Chantelle and Paul McDonald made it to the top 24 on the current season of American Idol. The first group of finalists were revealed last week on the Fox show.
All three contestants have been trying to make it in the music business. McDonald sings in his band The Grand Magnolias, Chantelle has had a gig at the Hard Rock Cafe, and Jones won the 2009 Nashville Independent Music Award for best female R&B solo artist.
As the competition on Idol heats up in coming weeks, don’t forget to tune in to Nashville’s Fox 17 for its Idol expert panel, featuring MusicRow’s own Jon Freeman.

Lambert Cancels Dates Due To Illness

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Miranda Lambert‘s tour kicked off on a high note earlier this month with two sold-out shows, but the outing hit a snag when she was forced to cancel the upcoming Australian leg.
She announced cancellation of her tour dates Down Under this morning (2/28) on her official website. The singer is suffering from a respiratory infection and is under doctor’s orders not to perform.
She was set for a series of shows with Alan Jackson, which were scheduled to start this Friday (3/4) in Melbourne.

 “I was very much looking forward to Australia with Alan Jackson and performing for all the music lovers down under,” Lambert said in her web posting.
The dates—which sold out in minutes—included five arena performances, in Melbourne, Sydney and Brisbane, as well as the CMC Rocks the Hunter festival. Australian artists will fill the spots.
Lambert’s The Revolution Continues tour kicked off with two sold-out shows at the famed Billy Bob’s Texas in Ft. Worth. She is the first artist to ever sell out back-to-back nights at the venue. Tickets for both nights were gone in a record breaking 30 minutes.

Paisley’s Video Paintbox Adds To Concert Production

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Brad Paisley brought his H2O Frozen Over tour to Nashville’s Bridgestone Arena on Saturday night, playing a sold-out show to 13,500 fans. Pictured (l-r): Sony Music Nashville Sales VP Kerri Fox-Metoyer; Arista Nashville Promotion VP Lesly Tyson; Fitzgerald Hartley’s Bill Simmons; Niemann; Paisley; Sony Music Nashville Chairman & CEO Gary Overton, Promotion Sr. VP Skip Bishop, and Marketing Sr. VP Paul Barnabee. Photo: Ben Enos


Brad Paisley H20 Tour
Feb. 26, Bridgestone Arena, Nashville
Brad Paisley is the reigning CMA Entertainer of the Year, so if you’re reading this you probably already know he’s a member of an elite club of artists that write great songs, play incredible guitar and sing convincingly. But if you haven’t seen his live show, then you still haven’t sampled his genius for presenting his music in an arena setting. Saturday night’s Nashville performance (2/26) was the last stop on his H20 tour that began shortly after last year’s May floods ravaged Music City.
Each song in the high energy two-hour set gets treated with a full production almost akin to the style of a broadway musical. But instead of dancers, costume changes and canvas backdrops, Paisley creates warm, engaging video “sets” that highlight, frame and sometimes expand the lyrics using animation and more. Often he deftly  blurs the lines between the two dimensional screen and those on the three dimensional stage. He also freely explores/prowls the venue’s extremities to get closer with “the people in the cheap seats.” The show even employs previously unheard musical interludes to bridge moments between songs. Video screens at concerts are hardly new, but Paisley has not only reinvented the process, he’s elevated it.
The effect of Paisley’s magic video paintbox—he creates many of these video segments himself—is mesmerizing but not distracting. Staging for the H20 tour  was sparse. Four circular risers provide a home for the band and directly behind them is a balcony, the rest is a giant video screen. And last but not least on stage  was Paisley himself, dressed in jeans, t-shirt and white hat—the epitome of one of the good guys.
Hit songs flooded the stage such as “Celebrity,” “Waiting On A Woman,” “Water,” “American Saturday Night,” “Welcome To The Future” and more. Alison Krauss came out to duet on “Whiskey Lullaby.” (Oh wait, that was only a video image.) “Letter To Me,” voiced with acoustic guitar was one audience favorite, among many.
The evening closed with a second encore—“Alcohol.” A portable bar was quickly unfolded and a busload of industry revelers poured out on stage to help celebrate the tour’s final performance. Sony Nashville label head Gary Overton and wife Jan were all smiles, and Paisley manager, “lovable” Bill Simmons could be seen sharing a celebratory hug with tour promoter Brian O’Connell.
• • •
Jerrod Niemann and then Darius Rucker warmed the crowd earlier in the evening. Predictably Niemann’s hit “Lover, Lover” was the standout, and closer for his set. Rucker opened smartly with “Alright,” which showed his experience and good vocal chops. Covers of “Family Tradition” and “Purple Rain” were excellent choices during his set and also took the crowd out of its seats.

Toby Keith Introduces Wild Shot Mezcal

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Sorry, horses, you still have to drink beer. Ever the entrepreneur, Toby Keith is launching Toby Keith’s Wild Shot Mezcal, a 100% green agave spirit that purports to be authentic. Very few Mezcal products currently exist in the market and Keith plans to capitalize on that with his version of the traditional Mexican drink.
“I have always been fascinated with Mexico and the drink Mezcal,” Keith says. “It is a part of my life. Mexico is a theme that runs through many of my songs, including my recent single ‘Bullets In The Gun.’ The tradition and history of Mezcal is magical to me, and dates back to 16th century warriors celebrating the defeat of their enemies.”
Mezcal varies from agave-based tequila in its preparation method and the inclusion of the agave worm in the bottle. Keith points out that the worm is not decoration. “It’s not there for the look,” he says. “It is there to be eaten. It is believed that the worm will bring wondrous experiences and every individual’s will be different.”
Wild Shot will be imported by Shaw-Ross, and a special pre-launch tasting event will be held in Nashville next week.

Is Digital Music Heading To The Clouds?

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Look up! Is it a bird or a plane? No. It’s the clouds.
The music industry waters are set to begin rippling again later this year, possibly as early as summer when, according to Financial Times, Apple, Google and Spotify jump into the cloud with music. Exactly what this will mean, may be a bit different for each of the companies involved and those that inevitably will follow. [“Cloud” is a simple metaphor to describe information and files placed on a server accessible from anywhere via an Internet connection.]
Spotify’s approach is clearest since its free and/or paid plan already is very popular in Europe. Users get free music streamed from the cloud in exchange for seeing ads or pay and get the music without ads. Google and Apple’s strategy is still unoffical. However, according to FT.com, Apple is planning to use the cloud resources it acquired last year from Lala, “mainly to allow users of its iTunes store to back up their collections and access them from any Apple device.” This method would support the paid download approach that Apple’s iTunes store has pioneered and popularized.
Google is anxious to launch a download store of its own, but is also interested in using the cloud to offer a digital locker where songs could be stored, much the same as the Apple plan, “to keep copies of their media in the cloud,” says FT.com. (Amazon already has its own digital store, but even with discounted pricing has been unable to steal appreciable market share from iTunes.)
Perhaps the most perplexing of all is the delay that Spotify has faced in trying to secure its U.S. launch which was supposed to begin in 2010. Sony and EMI have reportedly signed onto the service, but Universal and Warner Music are still in negotiations. Labels are concerned about how many free tracks users will be able to enjoy and if/how that might impact download sales. Many execs believe that Spotify will have a negative impact on sales without offering a large revenue stream in return.
With Warner and EMI both in play and up for sale, it is unclear how/if negotiations with Spotify might affect each company’s valuation.